Who Is Terry Nakamoto? A Comprehensive Look at the Appeal of “Terry’s Terry” and Its Signature Models

There’s no doubt that the development of Japan’s acoustic guitar culture is thanks to this man!
As a solitary figure and a living national treasure, history might have been very different without the contributions of Terry Nakamoto!
Without Terry Nakamoto, would the very concepts of custom and made-to-order acoustic guitars have taken such deep root in the industry? He is the greatest contributor to Japan’s music scene!

Terry's Terry’s Signature Models

Terry’s Terry 2010 Paul Simon Type

A masterpiece from Terry’s Terry in a Paul Simon shape!
The entire body features beautiful weather checking that gives it a great vibe. With this age and this patina, you can tell at a glance that it wasn’t just a flat, solid coat of paint!
Everything is in top-notch condition—from the nut, saddle, and frets to the fingerboard and neck! It’s perfect! There are absolutely no cracks or repair history!
As for the sound—it’s simply... beyond exquisite! What on earth is this!?
That much volume from a body this size! It’s packed with overwhelming harmonics! It’s massive!
The biggest surprise is how well-balanced each string sounds! You’ll find yourself wondering, “Did someone adjust the EQ somewhere?”—it’s that perfectly balanced!
I see—so this is what a guitar is really supposed to sound like! It’s such a masterpiece that it completely changes your perspective!

Terry's Terry 1966 TJ-100

For anyone who loves acoustic guitars, the number one guitar you’d want to play at least once is the original Terry’s Terry!
And the model that best represents Terry’s Terry is none other than the TJ-100!!
This particular instrument has a sound that’s anything but ordinary!
A guitar that already possessed high potential has fully matured after 20 years of aging! This tone… it’s intense! This is extraordinary!

An incredible amount of overtones! The depth of the sound is intense! The low end is powerful, while the high end is brilliant and delicate!
When the characteristics of each register come together in chords and as an ensemble, the sound resonates with an exquisite balance where every register feels equally full!
It’s rare enough to even see this guitar in person, but a 20-year-old specimen like this is truly museum-quality!

Terry's Casual 2010 TC-J7 BIRD

Terry’s Casual is a brand that began planning and manufacturing in 2007. Here is the commemorative model released in 2010 by Terry’s Casual to celebrate the 20th anniversary of Terry’s Terry!

Based on the flagship TC-J7 model, the TC-J7 BIRD features a bird inlay that exudes elegance!
As a commemorative model, it was crafted with extraordinary care and dedication, making it a guitar that truly encapsulates the essence of Terry’s Terry!

At Terry’s Casual, Mr. Nakamoto handles the design and material selection, while the basic assembly is carried out at Terada Gakki.
Of course, the label bears the signature of Terry Nakamoto himself, who personally inspects each instrument during the final stage of production!

Although it’s a limited-production brand, public demand is so high that the original Terry’s Terry simply can’t keep up with production.
Terry’s Casual played a significant role in bringing the Terry’s Terry sound to many users.
Terry’s Casual, with quality indistinguishable from the original, is sadly no longer in production.

Terry’s Casual 2010 TC-J7 BIRD

Terry’s Casual is a brand whose planning and manufacturing began in 2007. Here is the commemorative model released by Terry’s Casual in 2010 to celebrate Terry’s Terry’s 20th anniversary!
Based on the flagship TC-J7 model, the TC-J7 BIRD features a bird inlay that exudes elegance!

As a commemorative model, it was crafted with exceptional care, making it a guitar that truly encapsulates the essence of Terry’s Terry!

At Terry’s Casual, Mr. Nakamoto handles the design and material selection, while the basic assembly is carried out at Terada Gakki.
Of course, the label bears the signature of Terry Nakamoto himself, who personally inspects each instrument during the final stage of production!

Although it’s a limited-production brand, public demand has been so overwhelming that the original Terry’s Terry simply can’t keep up with production.
Terry’s Casual played a significant role in bringing the Terry’s Terry sound to a wide audience.
Terry’s Casual, with its quality indistinguishable from the original, is no longer in production—a true loss.

Premium Terry PTJ-100 Traditional

This is the PTJ-100 Traditional, the first product from Premium Terry—a brand launched in 2016!
It’s the same size as the original “Jumbo” version of the TJ-100, Terry’s Terry’s signature model!
From the color to the density of the grain and the figure, you can tell at a glance that this is top-quality wood!

Just like with Terry’s Casual, the basic assembly is carried out at external workshops, but the difference from Terry’s Casual is that we don’t use a specific workshop!
The approach taken is to have each manufacturing process—such as inlay work, woodworking, and assembly—carried out at various workshops trusted by Mr. Nakamoto!
Designed to rival the original Terry's Terry with even higher quality, the Premium Terry naturally undergoes a final inspection by Terry Nakamoto himself, who signs the label!

YAMAHA 1972 FG-1500

This one might not even need an introduction—there’s no other series among Japan’s world-renowned acoustic guitars that’s quite as famous as this one!
The YAMAHA FG series! And among them is the legendary early model, the FG-1500!
Starting around 1970, players all over the world began acquiring various models from this series, but the FG-1500 was the one that made the biggest impact!
Believe it or not, even Bob Dylan used one!
From appearing on album covers to being used in live performances, it’s clear just how much the FG was cherished by professionals as the ultimate model!

It features a bright, rich, and vibrant sound with plenty of overtones—a hallmark of the Brazilian rosewood! With the addition of patina from aging, both its appearance and sound have gained even more character!
Great for fingerpicking! Great for chord work! Truly a masterpiece!

YAMAHA 1975 L-54 Custom

A masterpiece produced from 1975 to 1980, this is one of the so-called “Yamaha Four Heavenly Kings”!
The basic specs feature a spruce top with maple sides and back.
The inlay work on various parts and the original pickguard are stunning, giving it an overwhelming presence!
The price is a whopping 300,000 yen—the original list price from the 1970s!

As a made-to-order custom model, it is an extremely rare instrument that is virtually never seen on the market today!
Its sound—a rich, full-bodied mid-to-low range combined with Yamaha’s signature bright, crisp clarity—is wide-ranging, powerful, and full of depth!
This is a Yamaha masterpiece that was cherished by many major artists at the forefront of the music scene at the time!

T'sT Terry's Terry 1991 SPECIAL ORDER MADE No. 18

This instrument is a legendary early-model T’sT Terry, a special custom-order model manufactured in 1991, shortly after the company’s founding.
The serial number is No. 18. This model has a lower serial number than Yosui Inoue’s No. 20 or Konosuke Sakazaki’s No. 21.
It features the TJ-type specification, which became the standard shape for T’sT.The high-end specifications—evident in the intricate inlays, binding, and trim—distinguish it from the standard model.
Compared to models produced in recent years, the aged character of the wood and the light touch response stand out, giving it a very authentic, acoustic instrument feel.
The ultra-thin finish has weathered slightly, taking on a patina, and the faint weather checking has begun to lend the instrument a sense of dignity.

T'sT Terry's Terry 1992 SPECIAL ORDER MADE No. 29

This instrument is also one of Terry’s Terry’s legendary early models—a 1991 special custom-made model.
The serial number is a surprising No. 29. It is a relatively young instrument, standing alongside the cherished guitars of Japan’s renowned T’sT guitarists.
It features a small-body design reminiscent of a Martin 000, which is rare for a T’sT. This is a valuable specimen that reflects the flexibility of custom orders from that era.
The lightness of the touch response is extraordinary. The fast touch—a result of T’sT’s craftsmanship—combines with the small body size to produce a wonderful attack, with sound that cuts through thickly and sharply across all frequency ranges. It feels natural when fingerpicking, of course, but when strumming, it delivers a volume and presence you wouldn’t expect from its size. Its versatility truly shines.

YAMAHA 1984 L-55 Custom

This was the top-of-the-line model of its era, featuring luxurious headstock inlays and a solid rosewood top with a superb, undulating grain pattern! The leather label bears the signature of Mr. Terry Nakamoto, currently the representative of Terry’s Terrey (T’sT)! It’s clear this was among the highest-ranked models even within Yamaha at the time!

You can clearly tell Mr. Nakamoto was involved—the high-quality craftsmanship produces a dazzling tone with an overwhelming dynamic range; it’s simply magnificent! The sense that it has been played and broken in over time comes through clearly in both its sound and its dignified appearance!! It’s a truly exceptional instrument!

Musicians Who Love Terry Nakamoto

 There are numerous professional musicians who actually use Terry’s Terry, and even just listing the ones that come to mind off the top of my head in alphabetical order makes for an impressive roster.Takahiko Ishikawa, Shozo Ise, Yosui Inoue, Nobuyasu Okabayashi, Toshio Kadomatsu, Kazuyoshi Saito, Konosuke Sakazaki, Ken Sakurai, Masashi Sada, Toshihiko Takamizawa, Tsuyoshi Nagabuchi, Chiharu Matsuyama, Kosetsu Minami, Kozo Murashita, Takuro Yoshida—the list goes on and on!
I’ve been friends with Tsuyoshi Nagabuchi since his debut, and he’s famous for owning Terry’s Terry’s Serial No. 1. Among big names overseas, John Lennon and Paul Simon also use guitars crafted by Terry Nakamoto!

Why Do So Many Professionals Choose Terry’s Terry?

 It might sound a bit crass, but typically, manufacturers sign endorsement deals with professional musicians. Musicians receive instruments under favorable terms outlined in the contract and can head into recording sessions and live performances with their gear in perfect condition. In exchange, the manufacturer ensures that its instruments are always featured whenever the musician appears—whether in magazines, on TV, on CD covers, or in music videos—thereby reaping significant advertising benefits. “I want the same instrument as that musician!”—that kind of effect can also be expected.

 However! When it comes to Terry Nakamoto’s guitars, the word “endorsement” doesn’t even exist!
The driving force behind so many people acquiring these instruments is their trust in Terry Nakamoto himself and in his guitars.
To put it bluntly, even musicians who have endorsement deals with other companies buy Terry Nakamoto’s guitars! Of course, they can’t be featured in the media, but there are many who use them quite frequently—from songwriting to the recording studio.


You can truly feel that there’s something beyond mere trends in music or instrument brands. Here lies the gateway to a special timeline that flows for those who genuinely love music and instruments from the bottom of their hearts. This is the responsibility of a shop that specializes in used and vintage instruments.
TCGAKKI will continue to strive to introduce as many of Terry Nakamoto’s creations to you as possible.

Summary

 You can truly feel that there is something beyond the trends in music and manufacturers. The gateway to a special timeline that flows for those who genuinely love music and instruments lies right here. This is the responsibility of a shop that deals in used and vintage instruments.
TCGAKKI will continue to strive to introduce as many of Terry Nakamoto’s works to you as possible.

Author: Inoue, Store Manager at Advance Guitars – Vintage Guitar Expert

An expert who has been involved with musical instruments since childhood and has appraised and sold over several thousand vintage guitars. He maintains strong connections with collectors and dealers overseas. Guided by the belief that “the history of a guitar can change with a single color or stamp,” he strives to provide detailed and passionate commentary.

Qualifications and Achievements: 8 years as a musical instrument appraiser; contributor and supervising editor for Guitar Magazine and other publications

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