Who Is Terry Nakamoto? A Thorough Explanation of the Appeal of Terry's Terry and Its Representative Models

It’s no exaggeration to say that Japan’s acoustic guitar culture developed thanks to this man!
As a solitary legend, history might have turned out differently without the activity of Terry Nakamoto, a living national treasure!
He may well be the greatest contributor to Japan’s music scene—without Terry Nakamoto, the concept of custom acoustic guitars and order-made guitars might not have taken root in the industry to this extent!?

Representative Models of Terry's Terry

Terry's Terry 2010 Paul Slimon Type


A gem from Terry's Terry in the Paul Simon shape!
The entire body is treated with a Weather Check that gives it a nice atmosphere. You can tell at a glance that this year and this style are not just a standard lacquer finish!
Everything from the nut, saddle, fretboard, inlay, and neck condition is perfect! The sound is, of course, incredible! No cracks, no repair history, nothing at all!
The sound, which is a focus of attention, is beyond amazing! What is this!? From the body size alone, this volume! The overtones are overwhelming! Fantastic!
The biggest surprise is the balance of each string! Is someone somewhere secretly adjusting it with an equalizer? It is so evenly balanced that it makes you suspicious!
So this is what a guitar is! A masterpiece that makes you rethink your assumptions!


Terry's Terry 1966 TJ-100

If you love acoustic guitars, Terry's Terry is the No. 1 guitar you want to touch at least once!
The model that represents Terry's Terry is the TJ-100!!
This individual is not just a number; it is a sound unlike any other!
A guitar with a naturally high potential has, after 20 years of aging, fully matured! This tone is intense! Truly exceptional!

Unbelievable amounts of overtones! The thickness of the sound is overwhelming! The lows are powerful, and the highs sparkle delicately!
When the characteristics of each register become chorded together and assembled, it resonates with an ideal balance that gives you volume in every range!
Even a quick look reveals how rare this guitar is, and among them, one from 20 years ago is now museum-class!


Terry's Casual 2010 TC-J7 BIRD

Terry's Casual is the brand that began planning and production in 2007.
In 2010, this commemorative model was released by Terry's Casual as a gem celebrating the 20th anniversary of Terry's Terry!
The TC-J7, the representative model, was made into Bass, resulting in the TC-J7 BIRD with a bird inlay that is elegant even in appearance!
Not only is it a commemorative model, but it was also made with great effort, condensing the essence of Terry's Terry into a single instrument!

The design and material selection are done by Nakamoto, while the basic assembly is carried out at Terada Gakki; that is Terry's Casual.
Of course, the final stage features a check by Terry Nakamoto himself, whose signature appears on the label!

Because it is a limited-production brand despite worldwide demand, the production of the main Terry's Terry absolutely cannot keep up.
Terry's Casual was also important for bringing the sound of Terry's Terry to many users.
Terry's Casual, with quality unchanged from the main line, is sadly no longer in production.


Terry's Casual 2010 TC-J7 BIRD

Terry's Casual is the brand that began planning and production in 2007.
In 2010, this commemorative model was released by Terry's Casual as a gem celebrating the 20th anniversary of Terry's Terry!
The TC-J7, the representative model, was made into Bass, resulting in the TC-J7 BIRD with a bird inlay that is elegant even in appearance!
Not only is it a commemorative model, but it was also made with great effort, condensing the essence of Terry's Terry into a single instrument!

The design and material selection are done by Nakamoto, while the basic assembly is carried out at Terada Gakki; that is Terry's Casual.
Of course, the final stage features a check by Terry Nakamoto himself, whose signature appears on the label!

Because it is a limited-production brand despite worldwide demand, the production of the main Terry's Terry absolutely cannot keep up.
Terry's Casual was also important for bringing the sound of Terry's Terry to many users.
Terry's Casual, with quality unchanged from the main line, is sadly no longer in production.


Premium Terry PTJ-100 Traditional

This is PTJ-100 Traditional, the first product of the new Premium Terry brand launched in 2016!
It is the same size as the original jumbo of the model TJ-100, which represents Terry's Terry!
The grain, the tightness of the sound, and even the end grain all clearly convey that this is a top-grade material!

Like Terry's Casual, the basic assembly is done in an outside workshop, but the difference from Terry's Casual is that it is not a specific workshop!
For each manufacturing process such as inlay work, woodwork, and assembly, the work is done in the workshops trusted by Nakamoto!
Premium Terry was planned to surpass the main Terry's Terry with even higher quality, and of course at the final stage Terry Nakamoto himself checks it and signs the label!


YAMAHA 1972 FG-1500

This may no longer need explanation: there are hardly any other famous series among the acoustic guitars Japan boasts to the world!
The YAMAHA FG series! And among them, this is the early flagship model, the FG-1500!
Around the 1970s, players around the world began getting their hands on various models, but among them, the FG-1500 was the most striking!
It even uses bobbin Diran!
Its appearance on album jackets and its use in live performances show how much the FG was loved even by pros!

Its Hagaranda characteristics are also evident in its bright, overtone-rich, gorgeous sound! With age, both its appearance and sound have deepened even further!
Great for fingerpicking! Great for chord work! Truly superb!


YAMAHA 1975 L-54 Custom

A gem produced from 1975 to 1980, and one of the so-called Yamaha Four Heavenly Kings!
The basic specs are spruce on the top, maple on the sides and back.
The inlay work and original pickguard applied throughout give it a vivid, luxurious feel, and it has an overwhelming presence!
The price was a then-standard 300,000 yen in the 1970s!

It was a custom-made model, so it is an extremely rare piece that is virtually impossible to find on the current market!
The sound, with a pleasantly deep resonance and a bright, Yamaha-like sharpness, expands powerfully in a wide range!
This is a masterpiece model from Yamaha that was beloved by many major artists at the forefront of the scene at the time!


T'sT Terry's Terry 1991 SPECIAL ORDER MADE No.18

This instrument is an early Terry's Terry prototype, a special order-made model from 1991, when the brand had only just begun.
The serial number is an astonishing No. 18. It is a younger-numbered model than No. 20 belonging to Yasumi Inoue and No. 21 belonging to Kousuke Sakamaki.
As a standard T'sT shape, it follows the TJ type specifications. The fine inlay, binding, and trim make it a high-end build that clearly differs from regular specs.
Compared with recent production models, the dryness of the wood and the lightness of the touch-responsive top stand out, giving it a very rich tactile feel as an acoustic instrument.
The ultra-thin finish is slightly aged and colored, and the weather check that has started to subtly appear creates an air of dignity.


T'sT Terry's Terry 1992 SPECIAL ORDER MADE No.29

This instrument is also an early Terry's Terry prototype, a special order-made model from 1991.
The serial number is the astonishing No. 29. It is a young piece comparable to the beloved instruments of T'sT players in Japan.
For T'sT, it is a small-bodied specification that lets the rare Martin 000 stand out. This is a precious individual that lets you feel the softness of the order-made build from that era.
The lightness of the touch-responsive top is extraordinary. The speed of the touch brought by T'sT's build and the small body merge, and the way the sound emerges is wonderful, with a presence that you would never imagine from its size. The breadth of its usable range shines through.


YAMAHA 1984 L-55 Custom

At the time, it was the pinnacle model, with a luxurious head inlay and an ultra-premium A-grade Hakaranda solid wood top that flowed beautifully in a rich, wavy grain! The leather label bears a signature from Terry Nakamoto, now the representative of Terry's Terrey (T'sT)! It was Yamaha’s highest rank at the time!

You can tell from this instrument that its high-quality construction produces an astonishingly resonant, brilliant tone with an extraordinary range! The feeling of being played and drawn in comes through clearly in both the sound and the dignified appearance!! An ultimate guitar!

Why So Many Pros Choose Terry's Terry



There are many professional musicians who actually use Terry's Terry, and even just lining up the musicians who instantly come to mind in ascending age order is amazing: Takahiko Ishikawa, Masami Ise, Yosui Inoue, Nobuyasu Okabayashi, Toshio Kadoyama, Kazuyoshi Saito, Kousuke Sakamaki, Ken Sakurai, Masashi Sada, Toshihiko Takamizawa, Tsuyoshi Nagabuchi, Chiharu Matsuyama, Kousetsu Minami, Kosō Murashita, and Takuro Yoshida, among others!
In particular, Tsuyoshi Nagabuchi is famous for owning Terry's Terry serial No. 1 thanks to a close friendship since his debut. Overseas, big names such as John Lennon and Paul Simon also used guitars made by Terry Nakamoto!


It’s a disappointing story, but normally makers sign endorsement contracts with musicians. Musicians provide instruments under favorable conditions according to the contract and also hope for recording and live use in a well-maintained state. In return, the makers supply their own instruments in magazines, on TV, on CD jackets, and in PVs, so when the musicians appear, they are sure to receive a huge advertising effect. “I want the same instrument as that musician!” That kind of effect can also be expected.

Musicians Who Love Terry Nakamoto

It’s a disappointing story, but normally makers sign endorsement contracts with musicians. Musicians provide instruments under favorable conditions according to the contract and also hope for recording and live use in a well-maintained state. In return, the makers supply their own instruments in magazines, on TV, on CD jackets, and in PVs, so when the musicians appear, they are sure to receive a huge advertising effect. “I want the same instrument as that musician!” That kind of effect can also be expected.

However! When it comes to Terry Nakamoto’s guitars, there is no talk of endorsements!
The passion of trusting Terry Nakamoto, trusting Terry Nakamoto’s guitars, is the driving force that leads many people to acquire these instruments.
In the extreme, there are musicians who buy Terry Nakamoto’s guitars because they themselves are musicians somehow tied to endorsements! Of course they cannot appear in the media, but many are used quite frequently for composition, recording sessions, and the like.


You can really feel that this is something different from the trends of music and makers. There is a special time axis that flows to people who truly love music and instruments, and its entrance exists here.This is the responsibility of the shop entrusted with handling used and vintage instruments.
TCGAKKI will continue striving to introduce as many of Terry Nakamoto’s works as possible to everyone from here on out.

Summary

You can really feel that this is something different from the trends of music and makers. There is a special time axis that flows to people who truly love music and instruments, and its entrance exists here.This is the responsibility of the shop entrusted with handling used and vintage instruments.
TCGAKKI will continue striving to introduce as many of Terry Nakamoto’s works as possible to everyone from here on out.


Author of this article: Inoue, Store Manager of Advance Guitars - Vintage Guitar Researcher

An expert in the appraisal and sale of vintage guitars, having been in contact with instruments since childhood and handled over 10,000 guitars. He has close ties with overseas collectors and dealers. Based on the belief that “the history of a guitar changes with a single color or stamp,” he provides detailed, passionate explanations with care.

Qualifications and achievements: 8 years as a musical-instrument appraiser, writing and supervising for guitar magazines and more


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