Gibson '60s Hummingbird Gallery

Gibson '60s
HUMMINGBIRD Gallery

Advance Guitars Presents

~The History of the Hummingbird~

In 1960, Gibson added a square-shoulder type to its lineup, which had primarily featured round-shoulder models like the J-45. The first model introduced was this Hummingbird.
While its shape resembles Martin's Dreadnought models, it features a notably wider body, approximately 16 inches (compared to the Martin D-28's 15 5/8 inches). It sports a large pickguard adorned with a hummingbird carving, complemented by pearl inlays and gold hardware for a striking design.

It also incorporates essential Gibson elements like a mahogany body and an adjustable saddle. Against the backdrop of recent vintage price surges, vintage flat-top models from Gibson, Martin, and others have become scarce. The launch of Advance Guitars brings vintage guitars together in one place. This time, we focus on 1960s models, including the first year of the Hummingbird, a gathering that will likely never happen again.

The measurements taken for this SJ-200 reference collection served as a reference for this Hummingbird feature.

Gibson 1960 Hummingbird Honey Sunburst

Ultra Rare! Hummingbird from its first year of release


In 1960, this Hummingbird emerged as Gibson's first square-shoulder-shaped model.
Only 156 units were shipped in its first year. The following year saw a significant increase to 595 units. Its flamboyant appearance caught on with rock musicians, and by the third year, shipments ballooned to 1,364 units. This record alone shows just how rare the first year models are, making them legendary instruments that are virtually impossible to find now, over 60 years later. A defining characteristic of this first year is undoubtedly the Cherry Sunburst color.

Similar to the Les Paul Standard models manufactured from 1958 to 1960, known as "bursts," the sunburst colors from that era show varied fading patterns over time. This was achieved by applying a pigment-based yellow paint, a dye-based paint was applied to the rim to create a reddish hue. and that red tends to fade easily. This means each guitar develops its own unique character over time.

In 1960, the burst saw a change to a red-based paint, and many examples still retain a vivid red sunburst today. Regarding this Hummingbird, the redness on the rim has faded, resulting in a light brown hue. Overall, it has developed into what is often called a honey burst appearance. While individual variations exist, it's truly a miracle that it has achieved such a beautiful finish.

xml-ph-0000@deepl.internal

id="s-1a8da2b3-853d-4acc-85c5-93422aed1233">

Gibson 1960 Hummingbird Tobacco Sunburst

Rare color from its first year of production


This is also a 1960 model, the first year of production.
While the catalog from that era only listed the Cherry Sunburst finish,
this particular guitar features an irregular tobacco sunburst finish.
It's a rare and valuable color scheme you rarely see, giving it a distinct character different from the cherry finish.

{ "__shgImageV3Elements": { "uuid": "s-237149bc-cbb7-4f04-b6f0-1ec131d09c96" } }

Gibson 1961 Hummingbird Cherry Sunburst

The ultimate rock sound from the early model


This is the unit shipped one year later. Compared to the first year's models, the rim retains a reddish hue, showcasing a vibrant cherry sunburst finish. The lacquer coating has thinned and worn, clearly blending well with the wood.

Another characteristic, shared with the Dove model released the following year, is its 25 1/2-inch long scale.

The sound produced by this long scale is truly magnificent. Simply playing the E string on the 6th fret might just bring back memories of the rock scene from that era for some. The high-position notes exude a vivid, taut clarity, allowing you to savor the rich tone unique to Brazilian rosewood. It's precisely because it has been meticulously maintained and cherished over the years that it can still produce such a sound today.

xmlns="http://www.w3.org/2000/svg" style="fill: rgba(113, 113, 113, 1);">

Gibson 1962 Hummingbird Cherry Sunburst


xml-ph-0000@deepl.internal

Only 1,254 Hummingbirds were shipped by 1962, fewer than the number produced in the entire year of 1963.
Early models are now extremely rare items that rarely appear on the market. The bridge saddle features a special specification: a straight bone saddle mounted on a rosewood base. This likely indicates either a replacement part from that era or a deliberate swap for sound or practical reasons.

{ "__shgImageV3Elements": { "uuid": "s-7c5bf43d-a085-4ca1-ab40-74b29884e958" } }

Gibson 1963 Hummingbird Maple Cherry Sunburst

Legendary Maple Sides and Back


Released in 1960, the Hummingbird captivated musicians with its innovative looks and dynamic sound, garnering overwhelming support.

This explosive hit led to the introduction of the similarly square-shouldered Dove in '62. However, the Dove was priced 35% higher than the Hummingbird, so even after '62, popularity remained focused on the Hummingbird.There's an anecdote that Gibson, which was producing more Dove guitars than were actually selling, added Dove bodies to the Hummingbird line when production couldn't keep up. In '62 and '63, they even made Hummingbirds with maple bodies and long scales.

This guitar is precisely that maple-sided Hummingbird. It's in excellent condition and a premium piece.

{ "__shgImageV2Elements": { "uuid": "s-3b61ba4b-dd30-4c2a-99f9-c43ab21b7bc1" } }

Gibson 1963 Hummingbird Cherry Sunburst

Rare early-production model retaining its original plastic bridge


Gibson's plastic bridges were often used on small-sized models like the 1960s LG-1 and B-25, but this Hummingbird actually featured a plastic top-and-bottom bridge only in 1963. The saddles are ceramic and adjustable. This combination produces a unique sound.

This particular guitar shows evidence of having had a different bridge installed at some point, but it's clear the owner deliberately switched it back to the plastic bridge. Because plastic bridge models often have the bridge itself replaced, finding one like this, where it was restored to its original state, is incredibly rare.

Its characteristic bright, open tone is simply irresistible.


Gibson 1963 Hummingbird Maple Cherry Sunburst

This one also has a sideback in maple finish.



}

Gibson 1964 Hummingbird Natural

1963: A natural finish is added to the Hummingbird lineup.
This is a 1964 model. The cherry-colored finish on the neck and sides/back is exceptionally beautiful.


Gibson 1965 Hummingbird Natural

1965 marked the transition year for the head angle, shifting from 17 degrees to 14 degrees.
This is a model with a 14-degree head angle. It is also an example from the final year of the regular grip.
The white trim on the truss rod cover also becomes thinner starting from this period.


Gibson 1966 Hummingbird Natural

The regular grip, which had a nut width of approximately 42mm to 43mm, became slimmer starting in 1965.
This is a narrow neck with a nut width of 40.3mm. It was made in 1966.
You can see that while the width became narrower, the neck thickness increased slightly.

id="s-0373c031-58cb-495a-9512-5be6d57acc80">
xmlns="http://www.w3.org/2000/svg">

Gibson 1967 Hummingbird Natural

}

From this period onward, the position of the crown inlay on the head will be slightly lower.


Gibson 1967 Hummingbird Cherry Sunburst

This is also a 1967 model. Starting this year, the red hue in the cherry sunburst finish becomes more pronounced. The difference from the previous natural-finish model is that the pickguard pattern becomes a two-tone yellow and white.


Gibson 1968 Hummingbird Natural

The pickguard features a two-tone yellow and white pattern. It is characterized by five screw holes along the pickguard's edge.

xml-ph-0000@deepl.internalxml-ph-0001@deepl.internalxml-ph-0002@deepl.internal { "__shgIm

Gibson 1968 Hummingbird Natural

Models featuring the down-bowed bridge began appearing around 1968, as seen in this particular instrument.
This piece can be considered the prelude to the new era of the 1970s.

xml-ph-0000@deepl.internal{ "__shgImageV3Elements": { "uuid": "s-4a0a3ee8-d5d2-45d0-9ee8

Gibson 1968 Hummingbird Cherry Sunburst

Cherry Sunburst & Downberry model.
The transparent image system used in the SJ-200 reference materials allows you to see the bracing pattern.


Gibson 1969 Hummingbird Cherry Sunburst

{ "__shgImageV3Elements": { "uuid": "s-70f9a559-4423-43eb-82c4-9c3b2d75cec1" } }

This year's model features the distinctive Gibson logo without the dot.


Gibson Hummingbird Natural

A very unique and stylish instrument.
The serial range is 1968, but it features a 3-piece mahogany neck, Schaller tuners, a down-bowed bridge, and the "Hummingbird" lettering on the truss rod cover.
Additionally, the nut width is approximately 43mm, a regular neck occasionally seen during this period.
The body back lacks the center crack guard, instead featuring a stylish back strip, and the endpin features an embedded celluloid insert—all lovely design touches.



※Please note that this is purely statistical data for reference purposes. If you have encountered or possess any irregular or special specifications, please provide information to the email address below.
Email Address: aco@tcgakki.com
Advance Guitars, Attn: Inoue

 

1960

Released as Gibson's first square shoulder model.
First-year production was 156 units.
Initially, only the Cherry-red finish (Cherry Sunburst) was listed in the catalog,
butHoney Sunburst and Tobacco Sunburst examples like the one featured here have also been confirmed.

~Main Specifications~
【Body Top】: Spruce
【Body Sides & Back】: Honduran Mahogany
【Neck】: Honduran Mahogany
【Bridge】: Brazilian Rosewood (Jacaranda)
【Bridge Plate】: Maple (Small Size)
【Bracing】: Non-Scalloped X-Bracing

【Saddle】: Adjustable Ceramic Saddle(Gloss)
【Pegs】:Kluson Deluxe Gold
【Pickguard】:Resin/Transparent/Solid Yellow

【Scale】: Approx. 645mm(Long Scale)
【Nut Width】:Approx. 43mm (Regular Neck)
【Headstock Angle】:17 degrees

The key point to note here is the adoption of the long scale.
While some sources state that earlier models used a medium scale,
all 1960s Hummingbirds recorded as arriving at our store have been long scale; we have not confirmed any medium scale models.
It is likely that the long scale was the standard specification at the time, and the term "medium scale" may have emergedbecause
Gibson's 1962 catalog introduced it as a 24 3/4" scale. We believe this and similar primary sources became the mainstream narrative.

1963

The Natural color is released.
The Dove, a similar square-shoulder model, appeared the previous year,
and the Dove's natural finish was also released starting in 1963.
Although the Hummingbird saw a significant increase in shipments that year, with 1,364 units shipped,
the Natural Color variant was extremely rare, with only 97 units produced.
One can imagine Gibson staking its reputation on launching these two square-shoulder models.

Changes can also be seen in the specifications.

~Main Specifications~
[Body Top]: Spruce
【Body Sides & Back】: Honduran Mahogany
【Neck】:Honduras Mahogany
【Fingerboard】:Brazilian Rosewood (Jacaranda)
【Bridge】: Brazilian Rosewood (Jacaranda)
【Bridge Plate】: Maple (Medium Size)
【Bracing】:Non-Scalloped X-Bracing

【Saddle】:Adjustable Ceramic Saddle (Gloss Finish)
【Pegs】:Kluson Deluxe Gold
【Pickguard】:Resin/Transparent/Solid Yellow

【Scale Length】: Approx. 645mm (Long Scale)
【Nut Width】:Approx. 43mm (Regular Neck)
【Headstock Angle】:17 degrees

This investigation revealed that the bridge plate size increased slightly between 1962 and 1963. Martin also exhibited this trend in 1969.
While the change in this year is slight, it likely reflects an effort to enhance the reinforcement of the bridge and top wood.

1963 Hummingbird

Additionally, some examples like the one introduced here have been confirmed to feature maple sidebacks or plastic bridges.

 

1965

【Body Top】: Spruce
【Body Sides & Back】: Honduran Mahogany
【Neck】: Honduran Mahogany
【Fingerboard】: Brazilian Rosewood (Jacaranda)
【Bridge】: Brazilian Rosewood (Jacaranda)
【Bridge Plate】: Maple(Large Size)
【Bracing】:Non-Scalloped X-Bracing

【Saddle】: Adjustable Ceramic Saddle (Matte Finish)
【Pegs】: Kluson Deluxe Double-Line Gold
【Pickguard】:Resin/Transparent/Solid Yellow Pattern

【Scale】:Approx. 645mm(Long Scale)
【Nut Width】: Approx. 43mm (Regular Neck) and Approx. 40mm (Narrow Neck) mixed
【Headstock Angle】: 14 degrees

The defining Gibson specification changes for this year were the 14-degree headstock angle and the narrow neck.
The Hummingbird was no exception to these changes.
Additionally, adjustable saddles—including matte ceramic and wood saddles—have been confirmed, representing another specification change from the mid-1960s.

 

Pegs also changed to double-line

Other changes include a thinner white border on the truss rod cover, and the bridge plate has become even larger.

 

1964 Hummingbird

1965 Hummingbird

1965 Hummingbird

1966

〜Main Specifications〜
【Body Top】: Spruce
【Body Sides & Back】:Honduras Mahogany
【Neck】:Honduran Mahogany
【Fingerboard】:Rosewood ※May contain Brazilian Rosewood
【Bridge】:Rosewood ※May contain Brazilian rosewood
【Bridge Plate】:Maple (Large Size)
【Bracing】:Non-Scalloped X-Bracing

【Saddle】:Adjustable Ceramic Saddle (Matte Finish)/Wood Saddle
【Pegs】:Crewson Deluxe Double Line Gold
【Pickguard】:Resin / Transparent / Solid Yellow Pattern

【Scale】:Approx. 645mm (Long Scale)
【Nut Width】: Approx. 40mm (Narrow Neck)
【Headstock Angle】:14 degrees

While the nut width is narrower, the neck tends to be thicker.
This applies not only to Hummingbirds but, in my experience, to Gibson flat-tops in general.
You might find that "even with the narrower width, the unexpected thickness makes it comfortable to grip," so I think you can choose based on your preference. The 1967-1968 models give the impression of having thinner necks compared to 1966.
While I don't have extensive data, I hope this serves as a useful reference when selecting a 1960s Gibson.

Regarding coloring, you'll also find examples of faded cherry sunburst finishes that might initially look like "natural color?" While many in Japan might picture the J-45 used by Motohiro Hata, this effect is also seen on Hummingbirds. This is particularly common on models from 1963 to 1966.

 

※Photo shows a 1966 J-45

1967

〜Main Specifications〜
【Body Top】: Spruce
【Body Sides & Back】:Honduras Mahogany
【Neck】:Honduras Mahogany
【Fingerboard】:Rosewood ※May contain Brazilian Rosewood
【Bridge】:Rosewood ※May contain Brazilian rosewood
【Bridge Plate】:Maple (Large Size)
【Bracing】:Non-Scalloped X-Bracing

【Saddle】:Wood Saddle
【Pegs】:Kluson Deluxe Double Line Gold
【Pickguard】: Resin/Transparent/Single-color yellow pattern, Resin/Transparent/Two-color yellow and white pattern, Mixed with and without screws

【Scale】:Approx. 645mm (Long Scale)
【Nut Width】:Approx. 40mm (Narrow Neck)
【Headstock Angle】:14 degrees

Changes in appearance, such as the pickguard and finish, can be observed.
Pickguards now feature a two-tone yellow and white pattern in addition to the solid yellow design,
and screw-on pickguards also appeared around this time. Screw-on pickguards were also used on the J-45 Custom Color,
I recall that custom colors debuted in 1967, and the Hummingbird also began adopting screw-on pickguards that same year.

1967 Hummingbird

1968 Hummingbird

1967 Hummingbird

{

1968 J-45 Ebony Black

xml-ph-0000@deepl.internalxml-ph-0001@deepl.internalxml-ph-0002@deepl.internal { "__shgIm 

The finish features a very strong red hue in the cherry sunburst rim.
Upon closer inspection, you can see the color extending to both sides of the fingerboard end, which gives it a distinct vintage feel.

 

1967 Hummingbird

※Photo shows 1967 J-45

Another characteristic is that the position of the crown inlay on the head is slightly lower.

1966 Hummingbird

1967 Hummingbird

1968

~Main Specifications~
【Body Top】: Spruce
【Body Sides & Back】: Honduran Mahogany
【Neck】: Honduran Mahogany
【Fingerboard】: Rosewood ※May contain Jacaranda
【Bridge】: Rosewood, Upper Belly or Down Belly ※May contain Jacaranda
【Bridge Plate】: Maple(Large Size)
【Bracing】:Non-Scalloped X-Bracing

【Saddle】:Wood Saddle
【Pegs】:Kluson Deluxe Double Line Gold
【Pickguard】:Resin/Transparent/Handle in two colors: yellow and white, mixed with and without screws

【Scale】:Approx. 645mm(Long Scale)
【Nut Width】: Approx. 40mm (Narrow Neck)
【Headstock Angle】: 14 degrees

By 1968, the approach of the 1970s was becoming increasingly apparent.
The "down-bowed" bridge shape, where the bulge faces downward, also began appearing around this time.
"When you think of Downberry, you think of 1969," but
when you check the serial numbers of many of them, you find that there are surprisingly many from 1968 as well.
You could say that as a hummingbird, it's a little closer to Martin's style...

1969

~Main Specifications~
[Body Top]: Spruce
[Body Sides/Back]: Honduran Mahogany
[Neck]: Honduran Mahogany *Mixed 1-piece and 3-piece
[Fingerboard]: Rosewood *Mixed with Jacaranda
[Bridge]: Rosewood, Downberry *Mixed with Jacaranda
[Bridge Plate]: Maple(Large Size)
【Bracing】: Non-Scalloped X-Bracing ※Mixed with Double X-Bracing

【Saddle】:Wood Saddle
【Pegs】: Kluson Deluxe Double Line Gold or Schaller (with Gibson logo)
【Pickguard】:Resin/Transparent/Two-tone yellow and white pattern, mixed with and without screws

【Scale】:Approx. 645mm (Long Scale)
【Nut Width】: Approx. 40mm (Narrow Neck) or Approx. 43mm (Regular Neck)
【Headstock Angle】:14 degrees

By 1969, the 1970s aesthetic becomes even more pronounced.
The 1970s saw a change in Gibson's parent company, leading to changes in guitar construction and released models, such as the adoption of double-X bracing.
While generally considered an "unpopular" era, some may find it endearing and develop a fondness for it when looking at Gibson's history as a whole.

Key specifications for 1969 include the Downbury bridge becoming the standard.
Additionally, irregular specs like nut widths around 42mm to 43mm can be found.
style="color: rgb(255, 255, 255);">Some units lack the center crack guard inside the body back,
while others feature a stylish back strip on the body back or have a cell embedded in the endpin area.

shg-c-sm-6 shg-c-xs-12">

 

The truss rod cover began featuring the word "Hummingbird" around this time, and it appears to coexist with covers lacking a model name.

 

This period also saw the appearance of headstock logos without the dot above the "i" and solid mahogany necks.

{ "__shgImageV3Elements": { "uuid": "s-a4c72218-dd82-42bd-aaf7-91dbf898f130" } }

 

Furthermore, some instruments have been identified featuring double X-bracing, block position markers, and Shara-made tuners with the Gibson logo. with some specimens confirmed to feature 1970s specifications.

 

Regarding Neck Wood

I researched several primary sources regarding how long Honduran mahogany will continue to be used.
.
Referring to the catalog from that time, we can confirm that while the Les Paul Standard (the reintroduced Gold Top P-90 Type) was described as having a "maple top with mahogany body," the Les Paul Custom was described as having a "Solid Honduras mahogany body."
It's very interesting to see such a clear distinction being made.
For flat-top models, the 1970 catalog describes the Hummingbird as Honduras mahogany,
while the B-25 is described as mahogany, suggesting a similar distinction here.
Based on this information, this article states that all 1960s Hummingbirds were made from Honduras Mahogany.

 

Regarding Bracing

Non-scalloped X-bracing was consistently used until 1969.
In 1969, some models featured double X-bracing as part of the 1970s specifications.
As shown in the images, comparing them side by side reveals that the thickness increases over the years.
The 1960 bracing has angular shapes, but from 1963 onward, they become slightly more rounded.
By 1965, the bracing had thickened further.

 

Regarding the bridge plate

As mentioned earlier, the bridge plate grew larger over the years.
Upon closer examination, we found that the number of plates increases from one piece to two pieces to three pieces.
1963 appears to be a transitional year, with the 3-piece design being adopted thereafter.

Artists who love Hummingbird, Representative Songs

Keith Richards (The Rolling Stones)
"Angie"

Jimmy Page (Led Zeppelin)
"Babe I'm Gonna Leave You"

Recommended Tracks

While compiling this article and revisiting the tracks, I realized once again how cool Hummingbird's rock-infused sound truly is. Among them, you can really savor this honey tone with The Rolling Stones. "Exile On Main Street / The Rolling Stones"

What Store Manager Inoue Thinks Hummingbird Is


It's just plain cool, both in looks and sound.
Starting with the 1937 SJ-200, Gibson has this knack for making acoustic guitars look cool. The Hummingbird, with its flashy pickguard, gained immense popularity and support from band frontmen and rock guitarists.

In Japan, it's famous for being used by Kiyoshiro Imawano, right? Thinking about it this way, I feel the Hummingbird is truly a rock acoustic guitar.

Delivering the Ultimate Honey Tone


Among the guitars featured this time, the one that really stood out to me was the 1961 model. Hearing those low end tones will make you fall head over heels for the Hummingbird.

xml-ph-0000@deepl.internal 

Who is it recommended for?


Since this is a model that's quite hard to come by, I highly recommend it to anyone who's ever yearned for that classic rock sound! Don't you think it's amazing to experience that record-like tone right up close?

 

HUMMINGBIRD Gallery

Advance Guitars

Written by: Inoue (Manager, Advance Guitars)

Handled electric and acoustic guitars at TCGAKKI. Later joined the launch of acoustic guitar specialty store Advance Guitars in 2023. As manager, has experience dealing with collectors and musicians both domestically and internationally.Played a key role in publishing the world's first SJ reference book, "GIBSON KING OF THE FLAT-TOPS." Also actively writes numerous columns.

A Word: " When you think of Hummingbird, it's undoubtedly that iconic look and the 'honey tone' sound that's beloved by top musicians.It's deeply moving that the concept behind this instrument, born in 1960 as a 'guitar for singing,' remains unchanged to this day. While there are obvious specification differences like scale length between vintage and current models, I have no doubt it will continue making history in the music scene."

Qualifications & Experience: 8 years as an instrument appraiser; writing and supervising contributions to Acoustic Guitar Magazine, etc.

▶︎View my published articles here

Shin-Okubo · The Forest of Martin D-45s
Terry Nakamoto's Legend: YAMAHA's Four Heavenly Kings
Art Born in the 1800s: The Allure of Antique Guitars
A Trusted Companion: Gibson J-50
"The Workhorse" Gibson J-45
The Magnificent Square Shoulder Gibson Dove
Gibson's Former Master Luthier "Ren Ferguson
Peter Fonda's 1944 Martin D-18
The Great Train Robbery Special Martin D-28 TRAIN
MOSSMAN SUPER CUSTOM by Baxendale, carrying the spirit of Warner Bros.
The History of the Ultra-Rare Gibson Hummingbird