"Another Selmer tenor saxophone, overshadowed by the MARK VI."』
The MARK VII is appealing for its rich bass and dark, resonant sound.
[overview]
Selmer-Paris (Frasel) tenor saxophone, Mark Seven (hereinafter MK7). Model without bell engraving. High F♯Key equipped. Serial number 290xxx. Manufactured in 1979. Accessories:Body plug, Selmer SERIE II hard case (name written on it/see detailed images)
[situation]
The lacquer finish is peeling on the bell, body sides and tip, keys, and neck sides. Even in areas where the paint hasn't peeled, there is overall discoloration and dullness. The appearance is somewhat dark and lacks luster. Small dents have been repaired on the U-tube, lower body, and bell side. One of the Low C key guard feet has been resoldered.
The entire keyboard has been disassembled, the inside of the tubes cleaned, and all pads (CHANU plastic resonators/MK7 default specifications), corks, and felts have been replaced in a complete overhaul.
[Features]
The Selmer tenor saxophone, MARK VII. While it appeared as the successor to the MARK VI, it's not simply an extension of the MARK VI; it's a distinctive Selmer with a thicker, darker, and more cohesive sound.
This instrument is a late-model MARK VII from 1979, serial number 290xxx. While many late-model MK7 tenor saxophones have a heavy, substantial feel, this particular instrument has been well-played, resulting in a quick attack and a pleasantly mellowed-out feel, characteristic of the MARK VII.
The sound is dark and cohesive, with a rich, full bass. Combined with the unique design of the MARK VII, including the large table keys, the lower notes have a solid presence. The pitch balance is also impressive, making it practical and easy to use in live settings.
The exterior shows some lacquer peeling, discoloration, and tarnishing, giving it a subdued vintage look, but it has been completely overhauled, including disassembly of all keys, internal cleaning, and replacement of all pads, corks, and felts. It is in a condition that allows for worry-free playability.
This guitar is perfect for creating a soulful sound in acoustic jazz, but its rich bass and solid tone also make it stand out in funk and horn sections.
☆Okubo GakkiTherefore, we collaborate with Odagiri Kobo, a saxophone repair specialist, to carry out all adjustment work.
☆How to properly care for your saxophone
