"A perfected form still resonates today."
CONN 88HR
[Overview]
C.G. Cone large-bore tenor bass trombone. 8.5-inch double-walled rose brass bell. 13.89 mm slide bore. Narrow slide. Outer slide: gold brass. Slide end crook: nickel silver. Rotary action is cord-operated.Mouthpiece receiver features a tapered shank (*). lacquer finish. Manufactured in 1976. Accessories: Original hard case (defective slide hardware on the left-side keyhole / opens and closes)
*Although this instrument was originally manufactured with a Remington shank, it has been machined to a tapered shank.
[Condition]
Small dents scattered across the bell body and bell flare > repaired. Lacquer finish peeling on the gooseneck, around the lock ring, and on the slide barrel. Small, shallow dent on the outer slide > repaired. All rubber parts replaced, rotary valve disassembled and cleaned, and all components serviced.
[Features & Appeal]
The 88HR represents the historical pinnacle of the large-bore tenor trombone, created by C.G. Conn.
Since the 1960s, the design and sound of this model have been passed down as a “perfect form.”
Today, there are not many players who use the 88HR as their primary instrument.
Nevertheless, its philosophy and resonance continue to live on as the “gold standard.”
Many craftsmen have used this design as a starting point to create their own unique models, leading to the masterpieces of today.
The rose brass bell produces a deep, soft, and resonant sound that carries far.
It is not merely a matter of volume; the sound expands as if embracing the air while maintaining its density as it moves forward—
This unique sound is an irreplaceable charm.
The “Airfloat” feel touted by Conn at the time of its release—
that smooth, natural playing sensation—still lives on as the essence of this instrument today.
The sound projects forward without the need to force it. It possesses that very sensation.
Its sound character is in stark contrast to that of Vincent Bach.
While the Bach pushes forward with definition and drive, the Conn fills the space with an enveloping resonance and scale.
This instrument was manufactured in 1976.
Although the receiver has been modified to a tapered shank, the essence of Conn’s distinctive resonance remains intact.
This is not merely a vintage instrument; it is a piece that allows you to experience a sound that will remain a benchmark for years to come.
