“How can we maximize the vibration of an acoustic guitar’s body?” Ovation’s answer to that question was “Adamas.”
Seeking durability and acoustic properties unattainable with a wooden top, Ovation used carbon fiber—originally developed for aerospace technology—for the top, encasing it within a unique fan bracing structure and a Lyra-Code body. The Super Adamas 1687 truly embodies that innovation.
The model we’re featuring today is a 1978 Super Adamas 1687-7 Beige from the early production run. It’s one of the rarest Adamas guitars still in existence, hailing from a particularly scarce era.
First and foremost, you’ll be captivated by its appearance. It possesses a beauty reminiscent of new buds glistening in the spring sunlight. Although it’s difficult to discern from the photos, you can still make out the abundance of glitter—a hallmark of the early models.
Its presence exudes not flashiness, but a sense of solemn grandeur, radiating a charm that transcends the boundaries of a mere guitar to become a true work of art.
And then, the sound. Even with just a light strum of a chord, you’ll feel as if the space around you is gently lifted. The low end resonates deeply, causing the body to vibrate, while the high end is delicate yet possesses a clarity that reaches every corner of the room. The sound seems to well up from within. Anyone playing this guitar for the first time will likely be amazed by its three-dimensional quality. Furthermore, its tonal character is distinctly different from that of the later Super Adamas models.
The secret to this sound lies in the top, which consists of layers of carbon graphite and birch. Thanks to the responsiveness of this ultra-thin top—something that could never be achieved with solid wood alone—the nuances of your picking are directly translated into sound. Back then, many artists, including Kousetsu Minami and Chiharu Matsuyama, favored the Adamas, bringing a breath of fresh air to the guitar industry of the time.
We invite you to experience the spirit of the 1970s firsthand.
[Specs/Included Case] TOP: Carbon Graphite BACK/SIDES: Lyrachord FINGERBOARD/BRIDGE: Walnut NECK: Walnut NUT WIDTH: 43.0mm SCALE: 642mm Electronics: FET Preamp CASE: Original Hard Shell Case
[Condition] - The headstock and bridge inlays, along with the abundant glitter typical of early models, create a stunningly beautiful instrument. - While signs of aging are visible, there are no major scratches or damage. - There are no issues such as muffled sound or buzzing, and it is in excellent playing condition. - String action at the 12th fret: 2.6 mm on the 6th string side, 1.6 mm on the 1st string side - Saddle projection : approx. 2.5 mm to 3.5 mm - 1 shim (0.5 mm) - There are no electrical issues, and it can be used without any problems.
[Mail-Order Assurance Service] Since we cannot offer customers the opportunity to try out the instrument when purchasing via mail order, we provide a 6-day trial period after the product arrives. Please take your time to try out the product at home, and if you are not satisfied, we will refund the purchase price. *The customer is responsible for round-trip shipping costs.
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Electric Guitars / Electric Basses / Effectors / Amplifiers (Adjustment Warranty: Up to 5 years) If your instrument malfunctions or stops producing sound after purchase, we will provide service free of charge. The warranty period varies by product.
Acoustic Guitars (Peace of Mind Warranty: Up to 6 months) For defects arising from normal use, we will provide free service for either 1 month or 6 months after purchase.
Wind Instruments (Up to 1 Year) Upon arrival, we clean the interior of the instrument, replace consumables as needed, and perform any necessary repairs and maintenance. If the instrument malfunctions or stops producing sound during normal use, we will repair it free of charge.