To enlarge, hover over the imageClick the image to enlarge
/
Explanation
Martin / 1972 D-41
In 1969, the D-41 was introduced as a more affordable alternative to the D-45, featuring a more understated inlay design. While the cost was reduced, the quality of the wood remained unchanged; by simplifying the abalone shell inlay, you can still enjoy the rich, resonant tone characteristic of Martin’s top-of-the-line 40 Series.
—Spruce from Central Europe
The top is crafted from German spruce. This spruce is characterized by its hardness and rich overtones, and is one of the premium woods used in stringed instruments such as violins. The body’s edges feature white celluloid and abalone shell purfling that shimmers beautifully.
There is a repair mark on the upper right corner of the top (above the pickguard), but it has been neatly restored.
The rosette is also adorned with vivid abalone shell inlay.
The sides and back are made of straight-grained Indian rosewood. Although the type of rosewood used changed around the 1970s, the beautiful grain pattern of this wood suggests that the earlier variety was used. The omission of abalone shell inlays on the sides and back is a key difference from the D-45.
The fingerboard is made of ebony and features hexagonal abalone shell inlays with a beautiful pattern that rivals that of the D-45. The edges of the fingerboard are also adorned with white binding.
The neck is made of mahogany, and the V-shaped profile provides a comfortable fit. The neck is neither too thick nor too thin, ensuring comfortable playability.
The bridge, like the fingerboard, is made of ebony and features a short saddle. The bridge pins are white, and the dots are also made of abalone shell.
The rosewood-veneered headstock features the “vertical logo” (commonly known as the “vertical logo”), which signifies the highest quality, and the rounded headstock shape is characteristic of this era.
The tuning machines are GROVER model 102, stamped with “PAT.” Their smooth gears ensure comfortable tuning.
The D-41 is not merely a budget version of the D-45; rather, it is the ideal instrument for players who find the D-45’s sound too resonant. However, its rich, full-bodied tone—which resonates throughout the instrument—is perhaps one of the defining characteristics of Martin’s 40 Series.
[Specs/Included Case] TOP: German Spruce BACK/SIDES: Indian Rosewood FINGERBOARD/BRIDGE: Ebony NECK: Mahogany NUT WIDTH: 42.5mm SCALE: 645mm CASE: Non-Original Hard Shell Case
[Condition] - The top has some weather checking and minor scratches from playing, but there are no cracks, and the overall condition is good. - String action at the 12th fret: 2.5 mm on the 6th string side, 1.5 mm on the 1st string side. - Saddle height: approx. 3.0 mm to 3.2 mm . - The pickguard has been replaced. - There is a small patch of wood on the back of the neck near the 1st fret. - There is a repair mark on the upper right corner of the body top (next to the fingerboard).
[Mail-Order Assurance Service] Since we cannot offer customers the opportunity to try out the instrument when purchasing via mail order, we provide a 6-day trial period after the product arrives. Please take your time to try out the product at home, and if you are not satisfied, we will refund the purchase price. *The customer is responsible for round-trip shipping costs.
Payment & Security
Your payment information is processed securely. We do not store your credit card details or access your credit card information.
To enlarge, hover over the imageClick the image to enlarge
Electric Guitars / Electric Basses / Effectors / Amplifiers (Adjustment Warranty: Up to 5 years) If your instrument malfunctions or stops producing sound after purchase, we will provide service free of charge. The warranty period varies by product.
Acoustic Guitars (Peace of Mind Warranty: Up to 6 months) For defects arising from normal use, we will provide free service for either 1 month or 6 months after purchase.
Wind Instruments (Up to 1 Year) Upon arrival, we clean the interior of the instrument, replace consumables as needed, and perform any necessary repairs and maintenance. If the instrument malfunctions or stops producing sound during normal use, we will repair it free of charge.