Choosing your first musical instrument |Effector

To go back in history, the first pedal to appear in the 1960s was the "fuzz." These pedals ranged from cheap-sounding ones resembling a broken transistor radio to those that produced intense distortion and incredible sustain, each with its own distinct sound. Later in the late 1960s, Eric Clapton's "woman tone," created with a Marshall amp and Les Paul guitar, gained attention. This was an "overdrive sound" achieved by turning up the volume of a tube amp to its maximum, creating an excessive load. This led to the emergence of "distortion," which replaced the extreme fuzz of the past and allowed for more natural expression from the guitarist. As time went on, in the late 1970s, an "overdrive" pedal appeared that was closer to the natural "overdrive sound" produced by tube amps and guitars, and offered even greater expressiveness.

For now, it's easiest to remember that a light, natural distortion is overdrive, a heavy, intense distortion is distortion, and a more intense, distinctive distortion is fuzz.

Similar to a flanger, it adds modulation to a short delay to create a subtle fluctuation.EffectorIt is characterized by a shorter delay time than a flanger, and produces a pleasant and refreshing effect. In recent years, digital products have become more common, replacing analog products using BBD elements.

This is the so-called "echo effect." A delayed sound is added to the original sound. A variety of effects can be obtained depending on the delay time and the number of repetitions. Also, there are different types depending on the structure, such as tape echo, analog delay, and digital delay. Each has its own distinctive sound.

Filters that actively shape sound quality/timbre or correct the sound.EffectorThere are two types of equalizers based on their mechanism: graphic equalizers and parametric equalizers. A graphic equalizer is a type where the filters for each frequency (band) are arranged in a straight line, making it easy to understand visually (graphically) like a frequency graph. In contrast, a parametric equalizer changes the tone by setting the center frequency, level, and bandwidth. It's a bit complicated, but although the operation methods differ, the final effect is the same. The so-called "bass-heavy and treble-heavy" sound is created by using an equalizer to cut the mid-range frequencies, thereby emphasizing the low and high frequencies and creating a more dynamic sound.

It's also called a phaser. It was originally invented to replicate the Leslie speaker, a device that produces the Doppler effect.EffectorHowever, the effects are not the same, and they are independent.EffectorIt has been established as such. As the name suggests, by adding a phase-shifted signal to the original signal, interference occurs, giving the sound a swirling effect. The effect differs depending on the number of stages in the phase-shift circuit; the more stages there are, the finer and sharper the swirling effect you can get. In contrast, those with fewer stages are characterized by a looser, rougher vintage sound.

A booster is simply for the purpose of increasing the volume.EffectorA booster that amplifies the signal without altering the original tone is called a "clean booster." Using a booster makes it possible to easily overdrive an amplifier even with a low-output guitar. A preamp controls the tone and volume, and can also be used as a booster.

This effect, which uses pulses generated by volume changes, was commonly found in vintage amplifiers. The resulting effect varies depending on the signal waveform and the speed of change, ranging from a gentle effect to a machine-gun-like, intense one.

Effectively, it's similar to a phase shifter, but circuit-wise, it's a type of delay. By adding modulation (a swell caused by changing the delay time) to a short delay, you can get a more pronounced jet effect or a more pronounced fluctuation than with a phase shifter.

The filter activates according to the input signal level, creating a dynamic and percussive wah effect.

Generally known from guitar playing techniques, this effect is achieved by fluctuating the pitch up and down. Some devices achieve a similar audible effect using phase shifter or chorus circuits.

Along with fuzz, etc.EffectorIt has been around since the very beginning and was originally developed to replicate the muting techniques used by trumpet players. By manipulating the filter with the pedal, you can move the peak frequency from high to low, producing tonal changes such as "wah-wah" and "wah-wah." The sound is controlled by the speed and depth of the pedal movement.

The difference between reverb and delay/echo can be confusing, but reverb refers to "reverberation" or "lingering sound." For example, the nice way your voice resonates when you sing in the bathroom is precisely the effect of reverb. Originally, spring-type reverb built into amplifiers was common, but nowadays, digital reverb makes it easy to obtain a wide variety of reverb effects, including hall, room, plate, gate, and the aforementioned spring reverb.

This uses a VCA (Voltage Controlled Amplifier) circuit, and as the name suggests, it compresses (crushes) the sound to extend it. Not only does it extend the sound, but it also gives the moment of striking the string (attack) a unique character and adds tension to the sound. A limiter also compresses the sound in a similar way, but it only suppresses the signal at its peak. It's more of a corrective...EffectorThat's correct. In recording studios, rack-type systems using vacuum tubes are the mainstream.

This device reduces noise or shuts out the signal when you're not playing to prevent noise interference. However, it's not perfect, so it's important to set it up so that it doesn't affect the tone, and most importantly, eliminate the source of the noise, such as the guitar, amplifier, and shielded cable.

There are harmonic and phase types, and they have the effect of making sounds that tend to get lost in an ensemble stand out. Unlike equalizers, a key feature is that they have little impact on the original sound.

The most extremeEffectorBy mixing the built-in oscillator with the guitar signal, you can create unpredictable pitch changes and produce unique sounds such as ring tones and metallic sounds.

These devices reproduce the sound of a guitar amplifier, making it easy to obtain realistic sounds for recording and other purposes. Well-known examples include Tech21's SansAmp and Line6's POD, which can be considered the originators of amplifier simulators. The latter offers a wide variety of amplifiers and cabinets, and allows for meticulous settings, including microphone placement and effects.

This device reproduces the unique resonance and harmonics of an acoustic guitar, allowing you to transform an electric guitar sound into an acoustic one. It's an easy way to incorporate an acoustic guitar sound into live performances without having to switch instruments.

A pitch shifter changes the pitch of a note.EffectorEvolved versions of this include "harmonizers" and "whammy pedals." While analog octaver circuits cannot freely change pitches and lack tracking stability, they are popular for their unique and distinctive tone.

Originally developed for country music steel guitar players, it allows for volume control via a pedal. It can also be used to create a technique similar to violin bowing, where the attack is suppressed and the sound becomes more prominent.

Some devices allow you to switch input signals to change instruments, or switch output signals to change amplifiers, or create signal loops to control multiple instruments.EffectorIt has the function of changing the flow of signals, such as switching them all at once.Effectoris.