The history of PU and the brands that have shaped it

Bill Lawrence, unbound by conventional thinking

Bill Lawrence was also famous as a guitarist.

He also made a name for himself as a guitarist.Bill Lawrenceteeth,Seymour DuncanSimilarly, he is an unusual individual who transitioned from being a musician to developing pickups.

As a performer, he was known as "Hot Bill" and, as an artist known for his high-speed guitar solos, he showcased his versatile talent by headlining at US military bases in Europe and other venues.

Starting pickup development and new approaches

In the mid-1960s, Bill Lawrence founded "Lawrence Electro Sounds" in Germany and began seriously developing pickups.

Subsequently, they developed the "Lawrence True Sound Pickups (LTS)." The LTS included models that followed the conventional pickup structure with six pole pieces, and models with bar-type pole pieces like the L-500, and were mainly installed in guitars made by German manufacturers.

While Bill Lawrence is now often associated with high-gain tones, the LTS pickup was actually developed specifically for jazz.

Afterward, Bill Lawrence moved to America and developed electric pianos and other instruments, which were used by artists such as Stevie Wonder, further increasing his fame.

An encounter with Dan Armstrong

There was another person Bill met who brought about a major change in his life.

That's Dan Armstrong.

Dan Armstrong is known for his small plugs that plug directly into the jack, such as the "Orange Squeezer" and "Blue Clipper."EffectorHe is also famous for developing innovative musical instruments such as the Ampeg Lucite with its acrylic body.

Bill and Dan worked together on various developments, but the most famous of them all is the Quick Change Pickup, which was featured on the aforementioned Ampeg Lucite. This was a groundbreaking system that allowed pickups to be changed without loosening the strings or removing the neck.

Later, when Dan moved to England, Bill took over his repair shop. Among those working there were Dan's son, Kent Armstrong, and Larry DiMarzio, who would later become a renowned replacement pickup manufacturer.


Joining Gibson and Fender as major brands and the evolution of pickups

Bill Lawrence's fame steadily grew in New York, and Gibson took notice of him.

Bill, who worked at Gibson from 1968 to 1972, brought innovative ideas to Gibson that had never been seen before, such as the development of the L6-S and the HB-L and HB-R pickups, which featured a circuit board mounted on the bottom of the pickup.

At Gibson, I also worked with Tom Holmes, who developed the "'57 Classic."

Later, at Chet Atkins' suggestion, Bill moved to Nashville, where he developed the L-90 humbucker, which used bar-type pole pieces and became his signature design, the L-220, which had two coils in a single-coil-sized case, and the L-500, which remains popular to this day.

Having carried out numerous innovative developments, Bill was finally asked by Fender to be a consultant.

Then, in 2004, Fender developed the SCN (Samarium Cobalt Noiseless) pickup.

This design is based on the L-220 and L-280, and features an innovative mechanism where the coils are stacked to achieve low noise in a single-coil size while maintaining power levels that don't deviate too much from those of a single-coil pickup.

Like Seth Lover, Bill Lawrence constantly strived to evolve, even while working for major brands like Gibson and Fender.

He, too, is an indispensable figure in the world of electric guitar.

Author of this article:Nihei (TCGAKKI (Electric guitarist)

I learned about the guitar through the manga "BECK" when I was in junior high school, and was influenced by Red Hot Chili Peppers and Nirvana, which awakened my passion for rock music.
I graduated from a vocational school specializing in guitar making.TCGAKKIAcoustic floor,TCGAKKIShe previously worked as a staff member at Premium Guitar Lounge. Currently, she is in charge of electric guitars, actively spreading her love for the instrument through column writing, YouTube appearances, and other means.

Qualifications and experience: 8 years of experience as a musical instrument appraiser

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