Aria ProII history
The legend of the Aria Pro II "TS," a groundbreaking machine that dominated its era.
Having established itself as a leading manufacturer of original Japanese guitars with the success of the PE series, Aria Pro II launched a groundbreaking, multi-functional model in 1979 that was ahead of its time. Its name was "TS (Tri Sound)".
This guitar, whose name literally means "you can get three different sounds," was a true "sound magician," boasting seemingly endless sound variations—more than 30 different sounds—as advertised in the catalog at the time.
The culmination of cutting-edge technology: TS's versatile control
The most distinctive feature of the TS series was its complex and versatile control system. From its initial release, it offered a wide lineup including the "TS-800/600/500/400," all of which came standard with coil tapping and a phase switch.
Furthermore, higher-end models like the TS-500 and above featured a 6-position rotary switch to change the frequency of the active circuit, as well as a powerful booster. There were no compromises in terms of construction either; models above the TS-600 featured a neck-through construction for superior sustain and playability.RecruitThe asymmetrical headstock shape, featuring six tuning pegs on one side—a departure from the PE series—also symbolized its innovative nature. Each model also had its own unique fretboard position markers: the TS-600 and above featured mother-of-pearl diamond markers, the TS-500 had slotted diamond markers, and the TS-400 had dot markers.RecruitIt was done.
Behind it all lies a "mysterious bird." The story behind TS development.
Why was the TS created as such a versatile guitar? The answer lies in a copy model that Aria produced in the late 1970s. That model was the MK series, which was based on a thorough study of BC Rich's "Mockingbird."
At the time, BC Rich was a cutting-edge guitar brand, and its innovative approach shocked many Japanese builders. It is said that Aria's development team, impressed by the brand, borrowed a Mockingbird that had arrived at a music store and conducted everything from measurements to circuit disassembly and analysis at their Matsumoto factory.
Thus, the MK series was created under the concept of "surpassing the original." The culmination of technologies cultivated there, such as the through-neck construction, boosters, and diverse switches, was almost directly transferred to the TS series. The TS was proof that Aria had absorbed cutting-edge technology and elevated it into its own original models.
Its innovative nature was met with enthusiastic support from users, and at one point it became so popular that the factory couldn't keep up with production.
A short life that changed with the times and raced through.
The immensely popular TS model, like the PE, underwent a minor redesign around 1981. The headstock shape was changed to the same symmetrical 3:3 shape as the PE-R, and the bridge was also updated to a 2-way design that allowed strings to be strung either through the body or through the tailpiece, making it a more practical upgrade.
However, that brilliance did not last long. The TS series, which had enjoyed such popularity, suddenly disappeared from the catalog after 1983, bringing its short production history to an end.
Although it didn't have as many models as the PE series, it did have distinctive Aria-style models in metallic blue and black and gold, leaving a lasting impression on many guitarists.
This ill-fated model had a short lifespan of only a few years. However, its ambitious design philosophy and overwhelming presence remain an indispensable legend in the history of Aria Pro II, and are still talked about today.
Author of this article:Nihei (TCGAKKI (Electric guitarist)
I learned about the guitar through the manga "BECK" when I was in junior high school, and was influenced by Red Hot Chili Peppers and Nirvana, which awakened my passion for rock music.
I graduated from a vocational school specializing in guitar making.TCGAKKIAcoustic floor,TCGAKKIShe previously worked as a staff member at Premium Guitar Lounge. Currently, she is in charge of electric guitars, actively spreading her love for the instrument through column writing, YouTube appearances, and other means.
Qualifications and experience: 8 years of experience as a musical instrument appraiser
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