1964 J-50 ADJ

Gibson / 1964 J-50 ADJ

【Demo Video】

[Staff Comment: Hoshino]

The crisp feel from the adjustable saddle perfectly matches the strumming, creating a comfortable playing experience.
You can feel a different tone compared to a slotted saddle, so if you've never experienced an adjustable saddle, we highly recommend giving this one a try.

When you think of round shoulders, the J-45 comes to mind, but the J-50, introduced in 1942 with the same specs as the J-45 but featuring a natural finish.
However, when placed side-by-side with the J-45, it possesses a distinct look and charm.

—The Pickguard Transition Period

In 1964, the large pickguard changed specifications from a thin tortoiseshell pattern to a thicker, more reddish pickguard.
The reddish pickguard complements the natural color beautifully.

The round-shouldered body, crafted from spruce, features a natural finish.
The J-50 joined the lineup as the natural-finish version of the J-45.
The Southern Jumbo, a higher-end model than the J-45, also came in a natural finish. This shows that Gibson changed the model name for natural-colored models, similar to the Country Western.

The rosette ring specification changed from a single ring to a double ring starting in 1963.

Mahogany is used for the sides and back, sprayed with a brown finish to match the top color. However, while the finish was light walnut until around 1960, it changed to dark walnut starting around 1961.

The fingerboard is rosewood, and the nut width is approximately 42mm, known as a regular neck.

The neck is mahogany with a thinner profile that offers a comfortable, natural feel in the hand.
There is some paint peeling on the back of the 3rd fret, but it does not catch on the fingers and does not interfere with playing.

The rosewood bridge on the upper belly features an adjustable saddle. Unlike a slotted saddle, this allows you to raise or lower the string height by turning the two side screws.
Additionally, the bridge plate beneath the bridge is a 3P specification, identical to the 1964 J-45.
The bridge plate has been repaired due to wear from years of use.
This repair is crucial as it affects both structural integrity and tonal quality.

The headstock features a gold Gibson modern logo silk-screen decal, identical to the J-45.
The bell-shaped truss rod cover is a 1P design.

KLUSON DELUXE single-line triple-peg tuning machines are fitted.
This specification actually marks the final period for the single-line triple-peg design, as it was changed to double-line pegs starting in 1965.

The J-50, like the J-45, has been cherished by artists such as Bob Dylan and James Taylor throughout its specification changes.
Many players are likely searching for a model like this one, featuring an adjustable saddle while retaining the regular neck specification.
We encourage you to try this rare instrument.

[Specs/Case Included]
TOP : Spruce
BACK/SIDES: Mahogany
FINGERBOARD/BRIDGE: Rosewood
NECK: Mahogany
Nut Width: 42mm
SCALE : 627mm
CASE: Non-Original Hard Shell Case (There is a slight gap, so we will use cushioning material during shipping.)

[Condition]
- Except for some shaving marks on the back of the neck around the 2nd to 3rd fret, this is a very clean instrument with no major damage.
- The sound is clear with no muffling or buzzing, and it plays very well.
- String height at the 12th fret: 2.5mm on the 6th string side, 2.0mm on the 1st string side
- Adjustable saddle allows for string height adjustment.
- Neck has an over-lacquer finish.

[6-Month Warranty]

[Mail-Order Assurance Service]
For mail-order purchases, since we cannot provide customers with an opportunity to try the instrument, we offer a 6-day trial period after the product arrives.
Please try the product thoroughly at home. If you are not satisfied, we will refund the purchase price.
*The customer is responsible for the round-trip shipping costs.