Mouthpiece

Orchestra and classical musicians will find it easy to switch from a Bach 1C to a 1XL2/Brass. Any instrument will sound effortless, and even if the bell is louder than before, the effort required will be reduced by 5-10%. If you like the rich sound of the 1C but want a smaller rim, that's no problem. Simply select your preferred rim size with the XL2 cup.

For soloists/principal players in orchestras and wind ensembles.

Using a Lotus mouthpiece ensures that the pitch in the high register remains flat, eliminating the need to consider alternative fingerings. This is crucial for success in certain passages, such as those in Mahler's Symphony No. 6, the Alpine Symphony, and many film scores. We've also received feedback from piccolo trumpet players who have switched to the XL2 cup because it makes tuning the high register easier and more accessible.

To jazz musicians

This cup will add character and depth to your sound. It provides easy access to a wide range of notes, allowing you to confidently tackle challenging phrases during improvisation. Its broad tonal range also makes it easier to express nuances and individuality. It adds richness to ballad performances and excels in bebop lines and exploring high-pitched passages.

Comparison information (Rim sizes 1, 2, 3, 7. You can choose between brass or bronze.)

1XL2 = Bach 1C, GR 67L, Monette B1-2 S3, Bob Reeves 43.5DS, Schilke 17C, Warburton 2MD, YAMAHA 16C4

2XL2 = Bach 1C + Lotus 2 rims, GR 66L, Monette B4SD/BLD S1, Bob Reeves 43DS, Schilke 14D, Warburton 4D, YAMAHA 15D4

3XL2 = Bach 2C, GR 65L, Monette B6D S1, Bob Reeves 42DS, Schilke 13D, YAMAHA 15C4/25

7XL2 = Bach 1C + Lotus 7 rims, GR 64L, Monette B7, Bob Reeves 41DS, Schilke 11D, YAMAHA 11D4

Ideal in situations like this

- For performances by large ensembles such as orchestras and wind bands.

- Those who seek the full sound of a 1C but prefer the smaller rim diameters of 2, 3, and 7 rims.

・For jazz soloists who want to have a rich tone but also want to play brightly when necessary.

New modelXL3The cup delivers an unprecedentedly full sound and wide range of tones.

「XL2This model was born from the desire for a larger cup and a wider sound, while still maintaining a brilliant tone quality during periods of high dynamic range.

By making the cup slightly deeper, we achieved an overwhelmingly deep sound. However,XL2Unlike a cup, it doesn't sacrifice the characteristic of changing to a wild sound when you blow into it.

Unusually for a mouthpiece with this cup depth, it allows for easy access to the higher register.

XL3In soft dynamicsXLYou'll get a creamy sweetness like in a cup. Let's try changing the dynamics little by little. You'll find that even just between pianissimo and mezzo-forte there are dozens of subtle expressions, each with its own unique color, so the expression of nuance is incredibly diverse.

Upon reaching Forte,XL2Like the cup, it produces a brilliant and exciting sound, but with a thicker core.

This model will appeal to everyone, from top-tier classical and jazz players to beginners. The vast majority of Bach 1-1/4C, 1-1/2C, 3C, 5C, and 7C players will find our L-cup (or L2) ideal. Many players fall in love with its tone, freedom of intonation, and above all, its overwhelming ease of playing.

A major difference compared to similar cups from other brands is the surprisingly open and relaxed feel in the high register. For classical musicians, this means there's no need to switch to shallower cups, even when playing the piccolo trumpet. You can produce the precise sound needed for sweet whispers, terrifying roars, dignity, and malice. 

Special notes

If you're looking for the rich sound of a Bach 1-1/4C but need a narrower rim diameter like a 3C, 5C, or 7C, the Lotus L-Cup is for you. It delivers a rounded, full tone with improved articulation clarity, perfectly suited to classical settings or the big sound of jazz solos, and comes in a rim that's just right for you.

Comparison Information (Rim sizes 1, 2, 3, 7, 9. Choose from brass, bronze, or nickel silver.)

1L = Bach 1-1/4C, GR 67.4, Monette B2-S3, Bob Reeves 43.5CS, Schilke 16C, Warburton 3MD, YAMAHA 16B4

2L = Bach 3C, GR 3M/66M, Monette B4S1, Bob Reeves 43CS, Schilke 14C, Warburton 4MD, YAMAHA 14D4

3L = Bach 5C, GR 65MX, Monette B5, Bob Reeves 42CS, Schilke 13C, Warburton 5MD, YAMAHA 13C4

7L = Bach 7C, GR 64L, Monette B7, Bob Reeves 41DS, Schilke 11D, YAMAHA 11D4

Ideal in situations like this

- When a depth of 1-1/4C is required, but a narrow rim diameter such as 3C, 5C, or 7C is needed.

- Orchestra musicians who seek a wide range of sounds but need a little help accessing the higher register.

- For jazz soloists who find the XL2 too deep, but are looking for a rich, warm, and rounded tone.

The L2 cup is equivalent to the C cup, but is ideal for jazz and commercial players. While it sacrifices a little warmth and breadth in sound, it delivers maximum power in the high frequencies. Think of it like the L cup – a C cup that becomes a flamethrower when you step on the accelerator.

If you're a classical musician and you're looking for maximum "pop" in your articulation and a clear sound even on slurred lines, then you should definitely try this cup.

If you're the type who plays lead on a Bach 3C, or if you're a jazz soloist who needs special help to cut through the band with aggressive solos, you'll love the 2L2 or 2L2-HC! (Nickel silver is especially recommended.)

Comparison Information (Rim sizes 1, 2, and 3. Available in brass, bronze, and nickel silver.)

1L2= Bach 1-1/2C, GR 66.8L/66.9/67L, Monette B3-S3, Bob Reeves 43.5C692, Schilke 15C, Warburton 3MC, YAMAHA 15B4

2L2= Bach 3C, GR 3M/66M, Monette B4S2, Bob Reeves 43C692, Schilke 14C, Warburton 4MD, YAMAHA 14C4/Shew JAZZ

3L2 = Bach 5C, GR 65MX, Monette B6S1, Bob Reeves 42C692, Schilke 13C, Warburton 5MC, YAMAHA 13C4

Ideal in situations like this

・For those looking for a turbo-boosted version of the Bach 1-1/2C/3C/5C/7C

- Players who require a large cup volume of 1-1/2C but need a small rim like those on Lotus 2, 3, or 7.

・For those who don't want to lose the soundstage obtained with a 1-1/2C size, but want to improve access to the high frequencies and sustain.

With nickel silver, you can play in a way that feels like it's constantly burning, as if it's on fire.

The Lotus M cup is a particularly noteworthy model for many musicians who don't usually play highly specialized music and need a cup that is neither too deep nor too shallow, neither too bright nor too dark, and that significantly boosts the high register.

The M cup is ideal for players who need more sizzle when playing classical music such as West Side Story or Star Wars, or for piccolo players who want to play with ease. Jazz musicians can easily cut through the other instruments in the band while maintaining a full, rich sound. It's the perfect cup when you want to shine like a trumpet hero or turn heads at a New Orleans street parade.

The backbore is designed to further enhance the tone, and while it's almost the same size as a D cup, it resonates as brightly as a C cup. Therefore, it's ideal for lead players who want to add depth to their sound in solos and section parts. For players accustomed to shallow cups, it's an excellent choice without sacrificing their beautiful brilliance.

A request to teachers

This is recommended for beginners who aren't aiming to become professional classical musicians but need a little help to play higher notes. It's a great model for those seeking a full sound, ideal for wind ensembles, solo recitals, big bands, and marching bands.

Comparison Information (Rim sizes 1, 2, 3, 7, 9, 11. Choose from brass, bronze, or nickel silver.)

1M = Bach D cup + Lotus 1 rim, GR 66.7M, Monette B1-LDS1, Bob Reeves 43.5M, Schilke 17B, Warburton 3M, YAMAHA 16D4

2M = Bach D cup + Lotus 2 rim, GR 3M, Monette B4LD/2S3 or BLM S1, Bob Reeves 43M, Schilke 14B, Warburton 4M, YAMAHA 14B4

3M = Bach D cup + Lotus 3 rim, GR 65M, Monette B6LD S1, Bob Reeves 42M, Schilke 11B, Warburton 5M, YAMAHA 13B4

7M = Bach D cup + Lotus 7 rim, GR 64M, Monette B7LD S1, Bob Reeves 41M, Schilke 11B, Warburton 6M, YAMAHA 11B4

Ideal in situations like this

・For beginners and young students who need help expanding their range to broaden their interest in playing music.

・For piccolo trumpet players who want to move away from an overly bright sound.

- Suitable for situations requiring a wide vocal range and diverse timbres, such as musicals, commercials, and studio sessions.

- I usually use a shallow-cup mouthpiece, but I'm not a reed player so I want a louder sound. However, I also want some help with the high register.

The M2 was added in response to requests from players who wanted a hotter, more aggressive sound than the M cup, and is especially aimed at commercial players such as lead and studio musicians. With a slightly shallower throat than the M cup, a tight 3.6mm throat, a backbore that produces a brighter tone similar to the Bach 76, and the distinctive color of nickel silver, it is a cup that takes a step closer to a true reed mouthpiece.

It produces a sound that is even more characteristic of a reed mouthpiece than an M cup. Because the cup has more volume than an actual reed cup, it is ideal for players who "cannot play with a shallow cup."It's suitable for playing in the lower and middle registers, as well as for high-note ballads in big band settings. It offers a richer sound and more musical nuance than typical reed mouthpieces.

Comparison Information (Rim sizes 1, 2, 3, 7, 9, 11. Choose from brass, bronze, or nickel silver.)

1M2 = GR 67MS, Monette B1-L S1, Bob Reeves 43.5M692, Schilke 17B3A, YAMAHA 16D4A

2M2 = GR 3MS/66MS, Monette B4LD S1, Bob Reeves 43M692, Schilke 14B3A, YAMAHA 14B4

3M2 = GR 65MS, Monette B2L S3, Bob Reeves 42M692, Schilke 13B3A, YAMAHA 13B4A

7M2 = GR 64MS, Monette B7LD S2, Bob Reeves 41M692, Schilke 11B3A, YAMAHA 11B4

Ideal in situations like this

This is a great choice for lead players seeking a bright tone similar to that of a lead player, and a "playing feel" that possesses the "non-aggressive" energy characteristic of a deep cup. Also recommended for horn sections.

- Players who want significantly improved access to the high frequencies and a "brighter, tighter sound," but dislike shallow cups.

I'm a second saxophonist in a big band, and I want to be able to keep up with the lead player in the soli parts. However, I also want to play with a rich, full sound in my solos.

- For those whose piccolo trumpet tone is harsh or muddy.

The S cup is a truly classic/traditional reed cup. Haven't you heard this phrase before? "The ultimate reed mouthpiece! Expands your range! Produces a wonderfully loud sound!" This cup is probably the closest you've ever come to that description.

Despite its shallow cup, it produces a surprisingly rich tone. Many players, especially those playing 3rd or 4th in big bands, appreciate that it makes it easy to match the tone of a 1st part without needing a shallow mouthpiece. It covers a wide range, from the highest note to the lowest Low F#, and its sound is sure to please not only you but also other musicians.

Classical players familiar with using Bach 7E or 7EW mouthpieces on the piccolo trumpet should compare this model. Like other Lotus mouthpieces, it offers a wider tone range, clearer and more beautiful articulation, and no more flatness in the high register.

Comparison Information (Rim sizes 1, 2, 3, 7, 9, 11. Available in brass and nickel silver.)

1S = Bach E cup + Lotus 1 rim, GR 67S, Monette B1-5L, Bob Reeves 43.5S, Schilke 17A4, Warburton 3SV, YAMAHA 16A4

2S = Bach E cup + Lotus 2 rim, GR 3S/66LS, Monette B4LS S1/BL S1, Bob Reeves 43BS, Schilke 14A4, Warburton 4SV, YAMAHA 14A4

3S = Bach E cup + Lotus 3 rims, GR 65S, Monette B6L S1/BL2, Bob Reeves 42S, Schilke 13A4, Warburton 5SV, YAMAHA 13A4

7S = Bach E cup + Lotus 7 rims, GR 64S, Monette BL S1/MFIII/BL 2J/BL4 S6, Bob Reeves 41S, Schilke 11A4, Warburton 6SV, YAMAHA 11A4

9S = Bach E cup + Lotus 9 rim, GR Bergeron/62S, Bob Reeves 40S, Schilke 6A4, YAMAHA 7A4

11S = Bach E cup + Lotus 11 rim, Monette BL6, Schilke 5A4, Yamaha 6A4

Ideal in situations like this

Players seeking a big, thick, traditional lead sound. Imagine recordings with Basie or Sinatra's big bands.

• Piccolo trumpet players who use Bach 7E/7EW

Players who prefer more open-blow reed mouthpieces such as the GR Bergeron or Schilke 12-14A4.

The term "screamer" would be a perfect description for an XS cup.

This mouthpiece has a very shallow cup, but it allows for clear articulation, accurate intonation, and the ability to produce a loud sound when needed. This will be fantastic news for anyone who has struggled with shallow cups in the past.

If you're used to shallow cups, you'll immediately appreciate the quality of this tone. Normally, handling a mouthpiece this shallow isn't easy. But with the XS cup, you can easily produce a big, bold sound, and instantly switch from a Zippo lighter to a flamethrower without expending excessive energy.

Accessing the higher register is incredibly easy, allowing you to consistently achieve the sound you're aiming for. If you've been wanting to use a very shallow cup but were hesitant due to the extremely harsh and bright tone of other manufacturers' products, this would be an excellent option.

Comparison Information (Rim sizes 2, 3, 7, 9, 11. Available in brass and nickel silver.)

2XS = Bach F cup + Lotus 2 rim, GR 3XS/66SZ*, Monette B4L S1, Bob Reeves 43ES, Schilke 15A4A, YAMAHA 15A4A

3XS = Bach F cup + Lotus 3 rim, GR 65SZ*, Monette B6LV S1, Bob Reeves 42ES, Schilke 13A4A, YAMAHA 13A4A

7XS = Bach F cup + Lotus 7 rim, GR 64ES, Monette B2J/BL2 S3, Bob Reeves 41ES, Schilke 14A4A, YAMAHA 14A4/Shew Lead

9XS = Bach F cup + Lotus 9 rim, GR Bergeron/62SZ*, Bob Reeves 40ES, Schilke 6A4A, YAMAHA 7A4A

11XS = Bach F cup + Lotus 11 rim, Schilke 5A4A, Yamaha 6A4A

Throat size

XS = 3.6mm (Bach #28) + Bach 76 backbore (even tighter)

Ideal in situations like this

- For lead players seeking easier access to the high register and ultimate brilliance

- For salsa players, those who want to be able to distinguish their own sound on a loud stage at a difficulty level comparable to Earth, Wind & Fire or Stan Kenton.

- When you want to make it clear who should stand out in the ensemble.

This mouthpiece delivers the essence of the "traditional flugelhorn sound," suitable for all types of playing, from wind ensembles to jazz and classical solos. It's optimized to provide a comfortable and familiar cup for everyone.

The biggest difference from a typical mouthpiece is that the tuning doesn't break down in the high register. You don't have to worry about things getting disastrous in the register above the staff. You can get a rich, buttery creamy tone and surprisingly easy intonation all the way up to the high register.  

You can choose between brass, which provides a traditional sound, or bronze, which offers a more modern and richer sound.

Special notes

Lotus flugelhorn cups significantly improve the sound of any flugelhorn, but the FL-L cup in particular is a choice most players will quickly recognize as an innovative model.

It allows you to achieve the correct pitch scale and high C, enabling you to challenge yourself with notes higher than high C even in solos, and it has the ability to transform entry-level to mid-range flugelhorns into instruments with a far more sophisticated sound. 

The FL-L cup is a cup with a "standard depth".

Rim sizes 1, 2, 3, and 7 are available. You can choose between brass and bronze.

This mouthpiece was specially designed for players who only use the flugelhorn in big bands. By combining a flugelhorn shank with a deeper trumpet cup, it ensures that your sound won't get drowned out by trombones or saxophones, and that you can play at high volume without losing sustain.

To achieve these concepts, a shallow V-cupRecruitBy doing so, we were able to achieve the flugelhorn's characteristic tone, a clear and resonant sound, and a character that is easy for the player to monitor.

Furthermore, this cup has an interesting characteristic: when played forte, it loses its mellow sound. It's like a hybrid of a flugelhorn and a trumpet, and it will open up new possibilities for soloists seeking a completely new tone. In that respect, it is a completely new product that sets itself apart from conventional flugelhorn mouthpieces.

The FL-M cup is a cup that is "slightly shallower than average."

Rim sizes 1, 2, 3, and 7 are available. You can choose between brass and bronze.