Orchestral and classical players who feel comfortable switching from the Bach 1C to the 1XL2/Brass. Any instrument will sound easier, and even though the sound coming out of the bell is louder than before, the effort required to do so is reduced by 5-10%. if you prefer the rich sound of the 1C, but want a smaller rim, no problem. Just choose XL2 cups with your preferred rim size.

For solo/principal players in orchestras and brass bands

With a Lotus mouthpiece, the pitch in the upper register will not be flat and you will not have to think about changing fingers. This is very important for success in certain passages such as Mahler's 6th, the Alpine Symphony, and many film scores. We have also received feedback from piccolo trumpet players who have switched to XL2 cups because of the ease of tuning and accessibility of the upper register.

To Jazz Players

This cup adds character and depth to your sound. It gives you easy access to a wide range of notes, and you will be brave enough to improvise and take on difficult phrases. The wide tonal range also makes it easier to express nuance and individuality. It adds richness in ballad playing and is a force to be reckoned with in bebop lines and higher-register adventures.

Comparative information (rim sizes 1, 2, 3, and 7; available in brass or bronze)

1XL2 = Bach 1C, GR 67L, Monette B1-2 S3, Bob Reeves 43.5DS, Schilke 17C, Warburton 2MD, YAMAHA 16C4

2XL2 = Bach 1C + Lotus 2 rim, GR 66L, Monette B4SD/BLD S1, Bob Reeves 43DS, Schilke 14D, Warburton 4D, YAMAHA 15D4

3XL2 = Bach 2C, GR 65L, Monette B6D S1, Bob Reeves 42DS, Schilke 13D, YAMAHA 15C4/25

7XL2 = Bach 1C + Lotus 7 rim, GR 64L, Monette B7, Bob Reeves 41DS, Schilke 11D, YAMAHA 11D4

Ideal for cases like this

For large ensemble performances such as orchestras and brass bands

Those who want the full sound of 1C but prefer the smaller rim diameters of 2, 3, and 7 rims.

Jazz soloists who want to have a rich tone but still play brightly when needed.

New ModelXL3cup offers the fattest sound and widest tonal range ever.

「XL2This model was born out of the desire for a larger and wider sounding cup, but with brilliant sound quality during big dynamics.

By making the cup slightly deeper, an overwhelmingly deep sound was achieved. However,XL2cup, it does not sacrifice the characteristics of a wild sound when blown in.

It also provides easy access to the upper registers, which is unusual for a mouthpiece of this cup depth.

XL3is a great choice for softer dynamics.XLcups, which gives a creamy sweetness. Let's try changing the dynamics a little further. Then there are dozens of detailed expressions between pianissimo and mezzo forte alone, each with its own color, so the expression of nuance is very diverse.

When we reach forte,XL2cups, the same brilliance and excitement prevail, but a thicker core is achieved.

This model will be coveted by everyone from the very best classical and jazz players to beginners, and the vast majority of Bach 1-1/4C, 1-1/2C, 3C, 5C, and 7C players will find our L cup (or L2) to be ideal. And many players fall in love at first sight with its tone, free intonation, and above all, its overwhelming ease of playing.

The main difference compared to similar cups from other brands is that the upper register is remarkably more open and effortless. For classical players, there is no longer any need to switch to a shallower version in situations where they play piccolo trumpet. They can produce the right sound, whether it is a sweet whisper or a terrifying roar, majestic or mean. 

Special Notes.

If you want the rich sound of a Bach 1-1/4C but need a narrower rim diameter like a 3C, 5C, or 7C, the Lotus L cup is for you. It delivers a full, rounded tone with better articulation clarity that perfectly matches the big sound of classical settings or jazz solos, with the rim that's right for you.

Comparison information (rim sizes 1, 2, 3, 7, 9; available in your choice of Brass or Bronze or Nickel Silver)

1L = Bach 1-1/4C, GR 67.4, Monette B2-S3, Bob Reeves 43.5CS, Schilke 16C, Warburton 3MD, YAMAHA 16B4

2L = Bach 3C, GR 3M/66M, Monette B4S1, Bob Reeves 43CS, Schilke 14C, Warburton 4MD, YAMAHA 14D4

3L = Bach 5C, GR 65MX, Monette B5, Bob Reeves 42CS, Schilke 13C, Warburton 5MD, YAMAHA 13C4

7L = Bach 7C, GR 64L, Monette B7, Bob Reeves 41DS, Schilke 11D, YAMAHA 11D4

Ideal in such a case

When a depth of 1-1/4C is required, but a narrower rim diameter such as 3C, 5C, or 7C is needed

Orchestral players who want a wider sound but need a little help accessing the upper register

Jazz soloists who find XL2 too deep but want a fuller, warmer, rounder tone

The L2 cup is equivalent to the C cup, but is best suited for jazz & commercial players. You sacrifice a little warmth and width of sound, but you get maximum power in the upper register; think of the L cup as a C cup that turns into a flamethrower when you step on the gas pedal, and the L2 cup as a C cup that turns into a flamethrower when you step on the gas pedal.

If you are a classical player and want maximum "pop" in articulation and clarity in slurred lines, try this cup.

If you are the type to play lead on a Bach 3C, or if you are a jazz soloist who needs extra help tearing up the band with aggressive solos, you will love the 2L2 or 2L2-HC! (We especially recommend the nickel silver version)

Comparative information (rim sizes 1, 2, and 3; available in Brass, Bronze, and Nickel Silver)

1L2= Bach 1-1/2C, GR 66.8L/66.9/67L, Monette B3-S3, Bob Reeves 43.5C692, Schilke 15C, Warburton 3MC, YAMAHA 15B4

2L2= Bach 3C, GR 3M/66M, Monette B4S2, Bob Reeves 43C692, Schilke 14C, Warburton 4MD, YAMAHA 14C4/Shew JAZZ

3L2= Bach 5C, GR 65MX, Monette B6S1, Bob Reeves 42C692, Schilke 13C, Warburton 5MC, YAMAHA 13C4

Ideal in such a case

Those looking for a turbo boost version of Bach 1-1/2C/3C/5C/7C

Players who want the large cup volume of 1-1/2C but need smaller rims like Lotus 2, 3, and 7

Players who do not want to lose the breadth of sound that the 1-1/2C size provides, but want improved access and endurance in the upper register.

Players who want to play like they're on fire all the way through in nickel silver!

The Lotus M cup is especially noteworthy for the many players whose usual playing is not very specialized music and who need a cup that is not too deep or too shallow, not too bright or too dark, and that gives a big boost to the upper register.

The M cup is ideal for players who need more sizzle when playing classical music such as West Side Story or Star Wars, or for players who play the piccolo with ease. Jazz players can easily penetrate the other instruments in the band while maintaining a thick, rich sound. This is the perfect cup to stand out from the crowd in a New Orleans street parade when you want to be a trumpet hero.

The back bore is designed to further fatten the tone, and while it is roughly the same size as a D cup, it sounds just as bright as a C cup. Therefore, for reed players who want to add depth to their sound in solo and section parts.... For players accustomed to shallow cups, this is the perfect choice without losing its beautiful brilliance.

Request to Teachers

Recommended for beginners, but not aspiring professional classical musicians, who need a little help producing high notes. This model is recommended for wind ensembles, solo recitals, big bands, and marching bands looking for a full sound.

Comparative information (rim sizes 1, 2, 3, 7, 9, and 11; available in your choice of brass, bronze, or nickel silver)

1M = Bach D cup + Lotus 1 rim, GR 66.7M, Monette B1-LDS1, Bob Reeves 43.5M, Schilke 17B, Warburton 3M, YAMAHA 16D4

2M = Bach D cup + Lotus 2 rim, GR 3M, Monette B4LD/2S3 or BLM S1, Bob Reeves 43M, Schilke 14B, Warburton 4M, YAMAHA 14B4

3M = Bach D cup + Lotus 3 rim, GR 65M, Monette B6LD S1, Bob Reeves 42M, Schilke 11B, Warburton 5M, YAMAHA 13B4

7M = Bach D cup + Lotus 7 rim, GR 64M, Monette B7LD S1, Bob Reeves 41M, Schilke 11B, Warburton 6M, YAMAHA 11B4

Ideal for cases like these

Beginners or young students who need help extending their range to broaden their playing interests.

Piccolo trumpet players who want to get away from too bright a sound.

Musicals, commercials, studio sessions, and other situations requiring a wide range and variety of tones.

・I usually use a shallow cup mouthpiece, but I am not a reed player and want a louder sound. However, those who want help in the upper register.

The M2 was added at the request of players who want a hotter, more aggressive sound than the M cup, especially for lead, studio, and other commercial players. slightly shallower than the M cup, with a tighter 3.6mm throat, a back bore with a brighter tone like the Bach 76, and the nickel Silver's distinctive color, etc., this cup is a step forward to a real reed mouthpiece.

It sounds even more like a reed mouthpiece than the M cup. The cup has more volume than an actual reed cup, making it ideal for players who say they can't play with shallow cups.It is also suitable for high note ballads in big bands and other situations where the lower and middle registers need to be played. It is richer than a typical reed mouthpiece and allows for more musical nuances.

Comparative information (rim sizes 1, 2, 3, 7, 9, and 11; available in brass, bronze, or nickel silver)

1M2 = GR 67MS, Monette B1-L S1, Bob Reeves 43.5M692, Schilke 17B3A, YAMAHA 16D4A

2M2 = GR 3MS/66MS, Monette B4LD S1, Bob Reeves 43M692, Schilke 14B3A, YAMAHA 14B4

3M2 = GR 65MS, Monette B2L S3, Bob Reeves 42M692, Schilke 13B3A, YAMAHA 13B4A

7M2 = GR 64MS, Monette B7LD S2, Bob Reeves 41M692, Schilke 11B3A, YAMAHA 11B4

Ideal for cases like this

Reed players seeking a "comfortable" blowing sound with the same bright tone and "non-aggressive" energy of a deep cup as a reed player. Also recommended for horn section.

Players who want a "brighter, tighter sound" with much better access to the upper register, but are not comfortable with shallow cups.

2nd player in a big band who wants to be able to keep up with the lead player in the soli part. But wants to play solo with a fuller sound.

Those who have a hard or blurred piccolo trumpet tone.

The S cup is a truly classic/traditional reed cup. Have you ever heard the old line like this? 'The ultimate reed mouthpiece! Extends the range of the sound! Great big sound!" This cup is probably the closest you will ever come across to that.

It has a shallow cup, but has an amazingly rich tone. Many players who play 3rd and 4th in big band have told us that they can easily match the tone of 1st without using a shallow mouthpiece. It covers a wide range of notes from the highest to the lowest Low F# in the range, and not only you but also other musicians will like its sound when they hear it.

Classical players accustomed to using the Bach 7E or 7EW on piccolo trumpet should compare it to this model. As with other Lotus mouthpieces, the tone is broader, articulation is clearer and cleaner, and the treble is no longer flat.

Comparative information (rim sizes 1, 2, 3, 7, 9, and 11; available in brass and nickel silver)

1S = Bach E cup + Lotus 1 rim, GR 67S, Monette B1-5L, Bob Reeves 43.5S, Schilke 17A4, Warburton 3SV, YAMAHA 16A4

2S = Bach E cup + Lotus 2 rim, GR 3S/66LS, Monette B4LS S1/BL S1, Bob Reeves 43BS, Schilke 14A4, Warburton 4SV, YAMAHA 14A4

3S = Bach E cup + Lotus 3 rim, GR 65S, Monette B6L S1/BL2, Bob Reeves 42S, Schilke 13A4, Warburton 5SV, YAMAHA 13A4

7S = Bach E cup + Lotus 7 rim, GR 64S, Monette BL S1/MFIII/BL 2J/BL4 S6, Bob Reeves 41S, Schilke 11A4, Warburton 6SV, YAMAHA 11A4

9S = Bach E cup + Lotus 9 rim, GR Bergeron/62S, Bob Reeves 40S, Schilke 6A4, YAMAHA 7A4

11S = Bach E cup + Lotus 11 rim, Monette BL6, Schilke 5A4, YAMAHA 6A4

Ideal in the following cases

Players seeking a big, fat, traditional reed sound. Imagine Basie or Sinatra in a big band!

Piccolo trumpet players using Bach 7E/7EW

Players who prefer a more open-blow reed mouthpiece like the GR Bergeron or Schilke 12-14A4

The XS cup is best described as a "screamer".

This cup is very shallow, but it has allowed us to create a mouthpiece with clear articulation, accurate pitch, and the ability to produce loud notes if requested. This is great news for those who have struggled with shallow cups in the past.

If you are used to shallow cups, you will immediately appreciate the tone quality. Normally, a mouthpiece this shallow would not be easy to handle. But with the XS cup, you can easily switch from Zippo to flamethrower in an instant, without having to take big, bold steps and expend excessive energy.

Access to the upper register is very easy, and you can always reach the sound you are aiming for. If you have always wanted to use a very shallow cup, but were hesitant to go with the extremely harsh and bright tones of other manufacturers, this is a great alternative.

Comparative information (rim sizes 2, 3, 7, 9, and 11; available in brass and nickel silver)

2XS = Bach F cup + Lotus 2 rim, GR 3XS/66SZ*, Monette B4L S1, Bob Reeves 43ES, Schilke 15A4A, YAMAHA 15A4A

3XS = Bach F cup + Lotus 3 rim, GR 65SZ*, Monette B6LV S1, Bob Reeves 42ES, Schilke 13A4A, YAMAHA 13A4A

7XS = Bach F cup + Lotus 7 rim, GR 64ES, Monette B2J/BL2 S3, Bob Reeves 41ES, Schilke 14A4A, YAMAHA 14A4/Shew Lead

9XS = Bach F cup + Lotus 9 rim, GR Bergeron/62SZ*, Bob Reeves 40ES, Schilke 6A4A, YAMAHA 7A4A

11XS = Bach F cup + Lotus 11 rim, Schilke 5A4A, YAMAHA 6A4A

Throat size

XS = 3.6mm (Bach #28) + Bach 76 back bore (even tighter)

Ideal for cases like these

Reed players seeking easy access to the upper register and maximum brilliance

Salsa players, Earth, Wind & Fire or Stan Kenton level of difficulty, who want to distinguish their sound on a loud stage

Anyone who wants to make it known who should stand out in an ensemble

This mouthpiece offers the quintessential "traditional flugelhorn sound" for all kinds of performances, from brass band to jazz and classical solos. The cup has been optimized to be familiar to everyone.

The main difference between this mouthpiece and ordinary mouthpieces is that it does not lose its tuning in the upper register. You don't have to worry about being miserable in the registers above the staff. You get a rich, buttery, creamy tone and remarkably easy intonation all the way up to the upper register.  

You can choose between brass for a traditional sound or bronze for a more modern, rich sound.

Special note

Lotus flugelhorn cups can greatly improve the sound of any flugelhorn, but the FL-L cup in particular is the cup of choice for most players, who will quickly realize that this is an innovative model.

You can get the correct pitch scales and High C, you can challenge yourself to solo higher than High C, and you have the ability to turn an entry to middle class flugelhorn into a much more expensive sound. 

The FL-L cup is a "standard depth" cup.

Rim sizes 1, 2, 3, and 7. Available in Brass and Bronze.

This mouthpiece was designed specifically for players who only use their flugelhorn in big band. The flugel shank combined with a deep trumpet cup allows the player to play loudly without losing endurance, without being buried by the trombone or saxophone.

By using a shallow V-cup to obtain these concepts, we were able to obtain the characteristic tone of the flugelhorn, a clear sound with good extraction, and a character that is easy for the player to monitor.

This cup also has an interesting characteristic: it does not sound mellow when played forte. It is like a hybrid between flugel and trumpet, which opens up possibilities for soloists who are looking for a new and unprecedented sound. In this respect, it is a completely new mouthpiece that is distinctly different from the flugelhorn mouthpieces that have been available until now.

The FL-M cup is "slightly shallower than medium".

Rim sizes 1, 2, 3, and 7. Available in Brass and Bronze.