From the front, it looks semi-acoustic, but the moment you change your viewing angle, it reveals a structure that's the complete opposite of "semi-acoustic," leaving me stunned in more ways than one.
I was amazed by how he focused on the idea of using semi-acoustic top wood meant for interior design to make an electric guitar—something that's hard to even imagine putting into practice—and then actually went ahead and did it.
The idea of attaching a neck to lumber bought at a home center reminded me of Les Paul's experimental guitar, which he built by connecting an Epiphone body to a 4x4 square timber.
Rather than the production time itself, it took considerable time to develop ideas such as "which parts to attach and how" and "what colors to use," resulting in a final piece quite different from the initial concept. Yet, upon seeing the completed work, it struck me as a piece that, while unconventional in its construction, possessed a remarkably cohesive design that evoked a sense of wonder.
