Announcement of the Results for the 1st Modification Effector Contest!

Case-ke's Entry: Ping-Pong Generator

Description
This project was inspired by a doorbell button found at an electronics parts store. It can produce a doorbell sound.
A junk tuner found by chance serves as the enclosure.
When the chime is turned on, the LEDs light up spectacularly all at once, though it does not function as a tuner. It’s full of playful touches, such as being able to adjust the pitch of the “ping” and “pong” sounds with a knob, making it fun just to play with.


Comments on the Work
The Grand Prize was determined by votes from the public, votes from sponsoring companies, and the selection of the TCGAKKI staff.
It received numerous positive reviews praising its charm—such as “It’s fun,” “The concept is amazing,” “The fact that it can’t be used as a tuner is the best part,” and “The unnecessary flashing lights are great”—and it brilliantly won the Grand Prix.
It was a work based on a wildly imaginative idea that likely no one else would have thought of, and one that everyone found enjoyable.

Grand Prize winner Kesuke visited our store, and we presented him with a 30,000 yen gift certificate as his prize. It was truly a wildly imaginative and shocking Effector! Congratulations on your win. We look forward to your entry next time!


"Over-the-Top DIY"’s Entry: Digital? Delay

Comments on the Entry
The concept of slapping vintage capacitors into a standard digital unit is brilliant.
The slightly retro look, reminiscent of Showa-era food samples, is also great.
I’d love to see how the warmth and richness change when played in a band ensemble!
I hope they do this with other models too~.


lenheyvan's creation: Cry Bear

Comments on the entry:
Even among the 30 entries brimming with original and outlandish ideas, the moment I saw the pickup sitting right on top of the effects unit, I was convinced, “This guy’s a nutcase (lol),” and awarded the BARKS Prize without hesitation.

A masterful piece of work.


Work by Kanaru Gomibako: Bright Muff

Comment on the entry
Everyone has their own way of expressing their love for the muff. Among them, I felt a certain fondness for the approach of not only focusing on sound and functionality but also “adding LEDs to make it look dazzling.”


K. Kobayashi’s Work: Jim Dunlop Cry Baby Mod

Comment on the entry
I selected this entry because I felt it truly embodied a “modified Effector”—featuring a bypass circuit free of pop noise, LED on/off indicators, a built-in booster, and an output impedance adjustment function that allows it to be paired with effects like fuzz that are sensitive to impedance, making it highly versatile.


Gen McGuinness's creation: Tube Scream Biscuits

Comments on the Work
I really like this kind of pop-style look. Considering the demand among women in recent years, I feel like there might be a shift from “cool” to “cute.”
It’s important to cherish that kind of sensibility, isn’t it?


Mr. Konishi’s Work: Metal Zone CDS

Comments on the Work
Since this was a modification Effector, the fact that the sound changed dramatically was the best part.
It looks like it would be difficult to use effectively, but the concept was great.
Also, the use of a CDS component and the clean workmanship were major pluses.
Akima Tsuneo


“The Return” by Otsukimi Guitar Works
BOSS OD-2 ~Lost Technology~

Comment on the work:
I chose this piece because I loved the story of humans 12,000 years in the future discovering the OD-2 in an ancient ruin.

This piece evokes the same sense of excitement I felt as a child when I was obsessed with LEGO or watching sci-fi movies.
I really hope Director Spielberg will adapt this into a movie.


Mr. Fujimoto’s entry: OD-2MO

Comment on the work
It was fantastic that they not only highlighted the Turbo SW to improve operability but also made it possible to realize the ideal sound more flexibly.

I also thought the exotic color scheme was tasteful and that it was a Effector with a real presence.


Work by Futosato Shoten Yarou: Cosmetics Storage Box

Comment on the entry
The scale of the idea is grand, and the fact that it isn’t confined by conventional boundaries is fantastic.

Although it was a “Effector Modification Contest,” it wasn’t a Effector itself, but rather a Effector board—and a cosmetic box where the Effectors were arranged in three dimensions. The sheer scale and perspective really made me think.


Hideaki Onuki’s Work: Knockdown

Comments on the Work
For someone over 60 like me, this rack is packed with classic machines that bring back so many memories!
With vinyl records making a comeback, this piece has helped me rediscover the charm of analog Effector—with its unique warmth and rough edges!

 

Reflections on the First Modification Contest

 

TCGAKKI, which has held three guitar modification contests since 2014, launched this Effector modification contest with the thought, “If we can do that, why not Effector too?” As this was our first attempt, we were excited to see what kind of entries we’d receive, and we were overwhelmed by the sheer number of unique creations that exceeded our expectations.

Our concept was to help people discover the joy of the Effector, but the entries were full of such unexpected ideas that I actually felt like I was the one being taught—that there are so many ways to enjoy it.

All of the winning entries are fun and brimming with creativity, but even the entries we couldn’t feature here were each filled with love, making the initial selection process incredibly difficult. After going through that selection process, it turned out to be a truly enjoyable contest. We would like to once again express our gratitude to everyone who submitted an entry. Thank you very much.

Contest Guidelines

First Round: Photo Screening
Second Round: Physical Review

[First Round]
Please email us your photos and a description of the modifications.
We will contact those who pass the first round directly.
[Second Round]
This round will be conducted using the actual items selected from those that passed the first round.
You must bring your entry to TCGAKKI or submit it by mail, and it must be available for trial playing in-store.
(Entries will be returned after the results are announced and the winning entries are displayed.)
Entries that pass the first round will be featured at the TCGAKKI store and on our official YouTube channel.
The Grand Prize winner will be determined by a public vote at the store and online, as well as by staff voting.
At the same time, each sponsoring company will select the winners for their respective categories.
The results will be posted on the TCGAKKI official website and BARKS.

Entry Requirements

Anyone may enter as long as the modification is based on their own original idea.
Modifications limited to the exterior are also welcome.
Being able to share the fun through a video is a major factor, so we look forward to your creative ideas.

Application Deadline

Until August 31, 2021
Please submit your entry via email to web@tcgakki.com.