Fender Japan Extrad Series

 

 In the 1986 Fender Japan catalog “TWANG,” the COLLECTORS SERIES category debuted with the PLAYERS, LIMITED EDITION, and this EXTRAD models. Featuring rare woods that surpass even original vintage materials and equipped with original USA pickups, these “Extra Traditional Models” were named “EXTRAD.”

 The lineup included '54, '57, and '62 Stratocasters (ST54-140, ST57-140, ST62-140) and a '52 Telecaster (TL52-120). These were not merely vintage replicas; they were a collection of luxurious masterpieces born from a bold production system focused on limited, small-batch manufacturing.

 In late 1989, the line was officially established as the "EXTRAD SERIES." Touted as "carefully selected wood and meticulous lacquer finishes are the foundation of the EXTRAD," the series featured a semi-custom system that allowed customers to specify the body wood and body color. The lineup consists of the following four types and eight models.

 

As shown in the table, prices varied depending on the choice of body wood. Other options, such as pickguard colors, were also available. It is likely that various other variations existed, including shop orders.

Subsequently, the EXTRAD, which appeared in the catalog every year from 1990 to 1994, disappeared from the lineup in 1995, coinciding with the release of the 1994 Custom Edition model ST54-150AS featured in that year’s catalog. Although its production run was brief—lasting only 8 to 9 years—its high specifications and quality, which rivaled those of U.S. models, demonstrated the prowess of Japanese craftsmanship to the world.

Features

The very earliest models from around 1986–87 do not have an “EXTRAD” decal on the underside of the head.

Models from around 1988 to 1991 feature an “EXTRAD” decal on the back of the head.

Models from around 1992 onward feature a “Custom Edition” decal.

Next, remove the neck and examine the neck pocket. You will see stamps indicating the EXTRAD model type, such as STS-54, STS-57, STS-62, and TLS-52, as well as stamps like Ⓢ.

Additionally, early models show traces of a fine brush stroke from when the neck pocket was painted, while models from around 1989–90 and later have no paint on most of the pocket area.

“STS-57,” “A” stamps

“STS-62,” “A,” and Ⓢ stamps

“TLS-52,” “D,” and Ⓢ stamps

“STS-54,” Ⓝ stamp, custom order model number “KX-151,” color code “T” written in marker, and pocket markings—once these have been confirmed, check the neck end.

The neck end has the manufacturing date written in pencil.
Although “EXTRAD” was released in 1987, production began about a year earlier, and dates from 1986 can also be found.

'90 ST54 Custom Order / BLD (#J022199)

A semi-custom model featuring a blonde finish with gold hardware. An “EXTRAD” decal shines on the back of the headstock, and the pocket section is marked “BLD (Blonde) and YWH (Yellow-White) intermediate”!! These are truly amazing, special specifications made possible only by a custom order.
*The pickups have been replaced with Texas Specials.

'89-'90 ST54 Light Ash / T (#J021833)

EXTRAD officially became a series in late 1989.This is an ash body Recruit model. While there is a buckle scratch on the back of the body, it boasts an outstanding sound! On the back of the headstock, you can see an “EXTRAD” decal; in the pocket, there is a “STS-54” stamp—proof of its EXTRAD status—as well as handwritten markings indicating the custom order model number “KX-151” and the color code “T.”

'86-'87 ST57-140 / BLK (#E733378)

Manufactured in early 1987, complete with the original price tag!! With relatively few signs of use and no replacement parts, this is a true collector’s item. As it is one of the very first EXTRAD models, there is no decal on the back of the head. The pocket area clearly retains the pattern marks from the painting process.

'93-'94 ST62-120 / 3TS (#Q030142)

A late-model EXTRAD from 1993–'94, featuring an alder body with mint green parts and optional specifications. This is a truly luxurious instrument, featuring a rosewood fingerboard!! The back of the headstock bears a "Custom Edition" decal, and the pocket area is stamped with Ⓢ and "K-625 ORDER"; there is no paint on this area.

L80s-E90s ST62-120 / 3TS (#E972639)

A model that catches the eye with its Varitra maple neck!! It has been well-played, giving it a mature, vintage vibe. The clear vintage tone produced by the fully dried ash body is outstanding. This is a highly recommended model for players. It features an “EXTRAD” decal on the back of the headstock.The neck has an E serial number, and the pot date on the assembly is '87, but the body appears to be from the late '80s to the '90s based on the unpainted neck pocket. We suspect this is a unit that was shipped with an early E-serial neck combined with a later-model body from our inventory.

'88 TL52-120 / BLD (#3605)

The neck date is September 8, 1987, and the included warranty card states it was manufactured in 1988. This is a rare early-spec model with no decal on the back of the headstock, featuring a “TLA-52” stamp in the neck pocket. A collector’s item with minimal signs of use!!

The Reason Behind This Project

This is a bit of a personal aside, but I’d like to share a true story that happened about a year ago. It’s about a friend of mine who visited a local music store to sell his 1987 E-serial ST62-140 (EXTRAD).

My friend brought it in full of confidence, expecting a great appraisal price since it was such a rare and wonderful guitar. However, that dream was quickly shattered, and he was plunged into the depths of despair… Apparently, the store clerk mistook it for a standard model from the VINTAGE SERIES and offered an appraisal price that was far below his expectations.It seems this tragedy was caused by the fact that it was an early model without the decal on the back of the headstock (as described later), and there was no specific model name stamped in the neck pocket.

With a sorrowful expression, that friend brought the ST62-140 EXTRAD model to TCGAKKI. At first glance, the exceptional quality befitting a top-tier model was palpable. However, since this is a model for which detailed reference materials are scarce beyond the catalog, a particularly careful appraisal process is required.By fully utilizing TCGAKKI’s sales data accumulated over many years, we maximized the assessment of the instrument’s true value!! The resulting appraisal amount swept away my friend’s gloomy, grief-stricken expression and transformed it into a smile of complete satisfaction.

My friend’s joyful smile left such a strong impression on me that I resolved to devote myself fully to collecting rare models like the EXTRAD, JV Serial, and LIMITED EDITION. Over the next year, I made full use of the TCGAKKI network and succeeded in gathering valuable models not only from within Japan but from all over the world. The result was a collection of over 20 instruments—a feat that even surprised me, the person in charge.

Since I’ve gone to the trouble of gathering these precious instruments, I’ve planned this column out of respect for everyone involved in their development and manufacturing—and also to ensure that no one else has to go through the same disappointment as my friend (lol)—in the hope that it might be of some help.Unfortunately, I found that catalogs and the internet alone weren’t enough to gather all the information I needed, which was frustrating for me personally. I’m a 28-year-old born in 1988—still a greenhorn—but I’ve done my best to compile this while studying the actual instruments. If you find any errors, have any concerns, or have questions, please feel free to let me know.

Click here for the Fender Japan product list! >>

Author: Matsui (Store Manager at TCGAKKI)

After serving as store manager at Kyoritsu Gakki Shinjuku, he joined TCGAKKI. As a store manager, he has held various roles across all genres, including the vintage guitar floor, electric guitars Bass, amplifiers, and parts. He is one of the industry’s leading experts in electric guitar sales, deeply trusted by renowned musicians. His favorite musician is B’z. His hobbies include horse racing and golf.

Qualifications and Achievements: 20 years as a musical instrument appraiser; contributor and supervisor for publications such as Guitar Magazine

▶︎Click here for his articles
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