Fender Japan Extra Series

 

 In the 1986 Fender Japan catalog "TWANG," the EXTRAD model appeared under the COLLECTORS SERIES category, alongside PLAYERS and LIMITED EDITION. This "Extra Traditional Model," aptly named "EXTRAD," uses rare woods that surpass even those of the original vintage models, and is equipped with USA original pickups.

The lineup included 1954, 1957, and 1962 model Stratocasters (ST54-140, ST57-140, ST62-140) and a 1952 model Telecaster (TL52-120). These are luxurious masterpieces born from a bold production system of limited, small-batch production, going beyond mere vintage replicas.

In late 1989, it was officially launched as the "EXTRAD SERIES." It was advertised as having "carefully selected wood and a meticulous lacquer finish as the basics of the Extrad series," and featured a semi-custom system allowing customers to specify the wood material and body color.RecruitThe following four types and eight models are available in the lineup.

 

As you can see from the table, the price varied depending on the body wood selection. There were also other options such as pickguard and color. It's likely that many variations existed, including shop orders.

Subsequently, the EXTRAD model, which was featured in the catalog every year from 1990 to 1994, disappeared from the catalog in 1995, coinciding with the release of the 1994 custom edition model, the ST54-150AS. Although its production period was short, lasting only 8 to 9 years, its high specifications and quality, surpassing even the USA models, showcased the capabilities of Japanese craftsmanship to the world.

Features

The earliest models from around 1986-87 do not have the "EXTRAD" decal on the back of the headstock.

Instruments from around 1988 to 1991 often have an "EXTRAD" decal on the back of the headstock.

Subsequently, models from around 1992 onwards have had a "Custom Edition" decal applied.

Next, remove the neck and take a look at the neck pocket. You can see stamps indicating the EXTRAD model type, such as STS-54, STS-57, STS-62, and TLS-52, as well as stamps like Ⓢ.

Additionally, early models show thin traces of the paint applied to the neck pocket, and models from around 1989-1990 onwards have paint missing from most of the pocket area.

"STS-57", "A" stamp

Stamps: “STS-62”, “A”, Ⓢ

"TLS-52", "D", Ⓢ stamp

Once you've confirmed the "STS-54" marking, the "Ⓝ" stamp, the custom order model number "KX-151," the color designation "T" written in marker, and the pocket markings, check the neck end.

The manufacturing date is written in pencil on the neck end.
The "EXTRAD" model was released in 1987, but production began about a year earlier, and a date from 1986 can be seen on it.

'90 ST54 Custom Order / BLD (#J022199)

This semi-custom model features a blonde finish with gold hardware. An "EXTRAD" decal shines on the back of the headstock, and the pocket is inscribed with "BLD (Blonde) and YWH (Yellow-White)"! This is truly an amazing special specification only possible with a custom order.
*The pickup has been replaced with a Texas Special.

'89-'90 ST54 Light Ash / T (#J021833)

In late 1989, the EXTRAD series was officially launched. This particular model has an ash body.RecruitThis model has buckle scratches on the back of the body, but boasts an exceptional sound! An "EXTRAD" decal is on the back of the headstock, an "STS-54" stamp, the mark of an EXTRAD model, is on the pocket, and the custom order model number "KX-151" and the color designation "T" are written in marker.

'86-'87 ST57-140 / BLK (#E733378)

This guitar was made in early 1987 and comes with its original price tag!! It shows relatively little signs of use and has no replacement parts, making it a collector's item. As it is an early EXTRAD model, there is no decal on the back of the headstock. There are clear traces of the paint pattern remaining in the pocket area.

'93-'94 ST62-120 / 3TS (#Q030142)

This is a late-model EXTRAD guitar from 1993-1994, featuring an alder body and mint green hardware options. It's a truly luxurious instrument, boasting a Brazilian rosewood (Jacaranda) fretboard! The back of the headstock has a "Custom Edition" decal, and the pocket is stamped with "Ⓢ" and "K-625 ORDER," and the fretboard is unpainted.

L80s-E90s ST62-120 / 3TS (#E972639)

This guitar features an eye-catching figured maple neck! It's been played extensively, giving it a cool, aged look. The dry ash body produces a clear, vintage tone that's superb. This is a guitar highly recommended for players. It has an "EXTRAD" decal on the back of the headstock. The neck has an E serial number, and the assembly's pot date is '87, but the body, judging from the unpainted neck pocket, is thought to be from the late 80s or 90s. It is presumed to be a unit that was shipped by combining an early E serial number neck with a later body from our stock.

'88 TL52-120 / BLD (#3605)

The neck date is September 8, 1987, and the included warranty card states it was made in 1988. It's a rare early model without a decal on the back of the headstock, and features a "TLA-52" stamp in the neck pocket. A collector's item with minimal signs of use!!

What was the reason behind this project?

This is a bit of a personal digression, but I'd like to share an actual episode that happened. It happened about a year ago, when a friend of mine visited a local music store to sell his 1987 E-serial ST62-140 (EXTRAD).

My friend brought in his rare and wonderful guitar, confident that it would fetch a high price. However, that dream was quickly shattered, and he was plunged into the depths of despair... Apparently, the shop assistant mistook it for a regular model from the VINTAGE SERIES, and offered a price far below what he had imagined. It seems that the fact that it was an early model without a decal on the back of the headstock (more on that later) and that there was no specific model name stamped in the neck pocket led to this tragedy.

My friend had a sad expression on his face.TCGAKKIThey brought in the ST62-140 EXTRAD model. Just one look and you could feel the exceptional quality befitting a top-of-the-line model. However, since there is little detailed information available about this model other than the catalog, a more careful appraisal process is required. Over the years, we have accumulated...TCGAKKIBy making full use of our sales data, we maximized the inherent value of the instrument! The appraisal amount we quoted completely dispelled my friend's gloomy expression and transformed it into a smile of pure satisfaction.

The joyful smile on my friend's face was so memorable that I decided to dedicate myself to collecting rare models such as EXTRAD, JV serial, and LIMITED EDITION. For about a year after that...TCGAKKIBy making full use of our network, we succeeded in collecting valuable models not only from within Japan but from all over the world. As a result, we were able to achieve a result of more than 20 models, which even surprised me, the person in charge.

Since I've gone to the trouble of collecting these precious instruments, I planned this column with the hope of showing respect to everyone involved in their development and manufacture, and also to help prevent others from experiencing the same sadness as my friend (lol). Unfortunately, I couldn't find all the information I needed from catalogs and the internet, which was frustrating for me. I'm a 28-year-old born in 1988, still an inexperienced youngster, but I did my best to compile this while studying the actual instruments. If you find any errors, have any concerns, or have any questions, please feel free to let me know.

Click here for a list of Fender Japan products! >>

Author of this article:Matsui (TCGAKKI Store Manager)

After serving as store manager of Kyōritsu Musical Instruments Shinjuku storeTCGAKKIJoined the company. As store manager, I worked in the vintage guitar floor and electric guitars.BassHe has held various positions across genres, including amplifiers and parts. He is a leading electric guitar salesperson in the industry, highly trusted by famous musicians. His favorite musician is B'z. His hobbies include horse racing and golf.

Qualifications and experience: With 20 years of experience as a musical instrument appraiser, I have contributed articles and supervision to publications such as Guitar Magazine.

▶︎Click here for the article I wrote
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