第六弾!理想のサウンドはこうして見つける! - TC楽器 - TCGAKKI
The first shot. Marshall JCM800
second shot Marshall JCM900
third shot How to Choose the Fender Amp
4th Bullet MESA BOOGIE Amb
fifth shot Guitar amplierspeakers
Sixth Bullet I'll find the perfect amp sound like this!


Kumi Noro

As an artist, he is also an amp engineer who is very trusted and has been taken care of by the Akito Akio clan."AKIMA&NEOS" and "Rama Amoeba" are now vigorously active in the legendary band Marchosias Vamp, and now the band is now active in the band.At the same time, he also worked as an ampoengineer for the production of maintenance, moderation, and original ampliation.This is a reliable amplitionmaster that coordinates the amplialization of an ampliating perspective, as a professional engineer, and as an artist.


Kumi Noro

I myself have been in the audience to help you with a variety of customers' requests, and I have come to learn to study again.I would like to thank you for this opportunity.It is fortunate that this project will help all the people who pursue "ideal sound".So let' s study together!

"I was doing a joint development with Paul Rivera at that time."

-Thank you for today, please!

Akima: This is the only one I'd like to ask.

-What was it like when you were making your own original ampliphor, Akima, but who was interested in the internal (circuit) of the ampliation?

Akima: I don't even think of amp, but when I first bought an electric guitar, it was when I was a junior high school student, but it's an electric guitar, and it's a volum and a tone.So there's a jack on the electric guitar, isn't it? I thought you'd hear a headphone out there, and you'd have to buy an electric guitar, and I couldn't make a sound even if I had a headphone. (Laughter) That's a pretty shock.I was reminded of my ignorance.It's from there, right?I was originally a junior high school student, and I had an audio for it.It was an audio enthusiast.I don't know, but I don't know if I'm starting to feel interested.

-Did you actually open the inside of the amplider at that time?

Akima: At first, the shields were broken, and then they looked at the contents of the effector ... and the guitar was better off than the amplifix. Pick up your pickup in a single, hand-backed exchange.So, when I was in high school, a music magazine called "Rockin f" was founded just like that.' 76. You know, when I was in high school? There's a production story of effector, a recipe for it.So, we actually made an effector.I went to a high school in electronic relations, but I don't think it's a good way to do that.

-How long have you started to make amp production, maintenance, and modification?

Akima: By the time I was a college student, I made my own amp.I'm a little amateur, but I've changed the amplibly amp I have.After graduating from college, I joined 'Kanda Shokai,' and I started working on the most serious day.Musicman, Maxon's Ephector, and Shure's Mike, too.I've done most of my mente' s side.And at that time, Paul Rivera, the former Fender company amp designer, founded the original brand, RIVERA. and I was doing something like a joint development.It was interesting to me that I was going to be in shape and shape the idea.

-Mr. Paul Rivera, it's amazing, isn't it?What kind of person are you?

Akima: He was a very good person. (Laughter)

"It's the same thing,"In the end, the genre has nothing to do with it."

-The original ampliphant was also issued, but how did it come out of the way?

Akima: As for the original amplisure, I didn' t start by saying, 'Let' s do it!' but I don't know exactly when it was.At first I was asked to know him or not.It's like asking people who you know, and who you don't know, you feel like they're here today.The brand's name, Achilma & Neos, was taken from her band name at the time.It's the same thing that makes a new sound in me, and it's the same for making songs, so the brand name is the same as the band's name.Since the band has now become Lama Ameber, it seems that Achilma & Neos is still in the same way as the ampliseous brand.

-I think there's a lot of orders from customers, but do you have a need or a tendency to do that?

Akima: Oh, that's it, isn't it?They all say the same.After all, the genre has nothing to do with it.So it's almost exactly the same as the guitarist's asking for an amplig.Sound quality ... sounds like a texture, and you can hear "all the way through." That's what you feel.It's jazz, but it doesn't matter what it is Hevy Metal.I feel the same thing when I talk to many people while I talk to them.Rather, the difference between genres is the difference between the guitar, isn't it? For example, a jazz person is a box, and the Hevy metal person is a man with an arm and a body pointed by a bodyman. (Laughter)Isn't the kind of pickup being different?So I think the genre is not an ampliphor, but a guitarist teist.The difference in the genre of the part required for the ampliquence is the degree of crench.The degree of cranch is changed only by the musical ability.But the texture was all the same.That was very interesting.

And then there's the sound needs of the Mid-Range sound.People who think it's OK with a mid-ranged sound, even if you think it's OK, come to me with a thought that if you're in an ensemble, the sound doesn't come forward."I want to make a sound like this," I bring a CD from an overseas artist, and if you listen to it, it doesn't really mean that it's not a donshari.I can listen to Donshali, but there's a middle area, actually.So, if you adjust it and ring it out, it's like, "Oh, I'm sorry." (Laughter)

-That's interesting.The texture you're looking for is called tones, and the different is the degree of the strain.

Akima: After all, there are subtle American trends and the British trend ... what's the texture already?It may be the difference between the ampliphs and the speaker's difference.The Americans are Jensen, and the Brittany are the Celescescent system.The English is a lovely preference, and American is a bit of a wild impression.

" There is an old tweed of fender, isn't it?That's not so different from Marshall."

-Mr. Akima actually saw a lot of ampliseous amplisewhere, but what was the amp that was so impressive to me at the time?

Akima: Isn't it Marshall's Bluesbreaker Combo?That's two 12-inch shots, right?I saw it (in vintage). It was a diamond-type with a 10-inch model.I think it's very rare, but the Bluesbreaker was a very good sound.I think the headcircuits are the same, so I think it's the difference between two 12-inch and four-inch sound auditory.It's like the difference between a professional rivale and a super-rivaab, if you're a fender.That's why I say 10 inches and 4 are the caliber of a guitar and a great match speaker.It's a little short of a couple of shots.On the other hand, a 12-inch, 4-inch cabbie isn't normal now.Whatever it is, don't do it.I mean, there's a Thumanch in the law, isn't it?I don't think that's the HR/HM side.

-I just got a talk about vintage, but could you tell us about Vintage Marshall, Fender, VOX, Hiwatt, and other characteristics? Of course, there are models, etc., and I think there's a lot of detail here, but here's a big feature of how you feel about it.

Akima: For example, there's an old tweed period in the fender.That doesn't make much difference with Marshall.Marshall was made by the Fender Bassman, but there's almost a little bit of it in it.There is only a slight difference.And I'm stubborn to continue to protect it.I think Fender had a minor change to the White Torrex, and that Blackface was a fender as a fender.for, of course, marshal would be too much modern to be too much like JCM900 or 2000, and so it was quite different.I'm talking about the previous 1959, or the four-inputt stuff.So, the VOX is a bit different.The VOX looks a little bit of a unique alley.The feature of VOX is that it uses a small power tube called EL84.That's a big signal, but I can't get a big output, but if you say it's another truck, it's like a light tora.But it was so delicate and full of harmonics, if it were not to say that it was a tone color that was not to be said.If you say it with an acoustic guitar, it feels like a good squeaky or a richer tone.So it sounds like a soft sound.It's AC30.As for Hiwatt, it's a bit different.That's quite different from Marshall.I don't feel like a very good mide in a sense of the raw medium.

"What is made in the United States is an American character that is an image of what is called a so-called" American."It's a lively, cheerful, bright thing."

-I've been talking about the vacuum tube, but I'd like to tell you the difference between a common European and American, or a vacuum tube.

Akima: Now, what you've made in Europe and America is almost unfit.Russia, Slovakia, China, and so on, are hard to distinguish, right?But, on the old tube, it's a 6L6 tube on American tubes.Well, it's not just a tube, but it's a whole part of the whole part.What is made in the United States is an image of an American, which is an image of what is called a so-called "American."It was bright and it was bright and it was bright.The sound of Europe is dark and thicker.Some of the images of the Murad, or the image of the country, are available.I feel very much in the reflection of it.What Germany is like is a linearly feeling.As for Japan, it's very good, but it's colorless.There is no color. (Laughter)It's interesting to see the color.

Condenser has a tendency to do just one part, too.People who are doing it or modifiers often go to the amplifier because they want to make a sparkle condenser orange drop, right? But I don't know if it's going to match American Tubes, but I'm a bit uncomfortable to put it into an amp from Europe.So, some of the most common tubes and condensers don't have to be with the ampliality of the ampliating itself.

The first part of the story, I think the speakers and the enclosure are important to me, but I think sometimes it's time to change the speakers.Can you tell us that when you replace Akimasan, you can tell him what he's doing?

Akima: If the state of the ampliquis is good, but the speaker is not in the right position, the sound of the sound is so loud that the speaker's influence is big.Even marshalling may not be able to display a good head at all, depending on the speaker.I don't think that you have to put a right speaker on the head.For example, in the case of JCM2000, 900 and 800, it would be like a different thing to change to Greenback or Vintage 30.The size of the same gayne is different from the fins of the strains, and the softness of the sound is different.A friend of his acquaintine said, "Marshall JCM2000 of the Leivus House there is a great sound," and when he actually goes to see it, he often has a very normal head.But if you look at it, the cabinet can be 1960V or the speaker is Vintage30.I don't know what to do with it, but I don't know.People say, "This Head of Head," isn't actually the only difference between the speakers in the lower part of the world.I think it would be better to keep your speakers in a good way, not to be despised.If you say whether it's good or not, it may or may not be.There's a lot of speakers that can pull out more head potential.I'm going to exchange the pickup too, is it?The speaker used to be very expensive in the old days, but now it's a very affordable speaker.I'm going to take care of the big one, but I think it's worthwhile to change it.

"There is a large area of handsome of parts, so Hand Wyvering is overwhelmingly stronger in that way."

-Next is the word "Hand Maid", and I'll talk to you about it.The umps of Mr. Akima are also hand-made, and the ones that are called vintage amplieses are those that are called "hand maid."Of course, there are many good things for mass production, but what do you think is the good of the hand maid, or the charm?

Akima: It's simple to make it on a printed circuit board, and if you're on the same part, there's a feeling that there's no such big difference, but theoretically, it's not.But the printed circuit board is based on the copper foil, and it doesn't mean that electricity is running on it.I'm just going to hang some parts on it, but ...I think that the copper leaf is thin and thin, and at the part to part (point-to-point), the wiring will be very thick.There's a big difference between them, isn't it?Of course, the sound will change as well as the wiring material.

Even if I say electrons, I have an image like a water pipe.The tone of the guitar is turning into an electrical signal or a voltage.From the amplies/power supply (from the amplies/power supply) when the attack is "kung" and when the attack is entered. It is necessary for the moment that the current is bullled at once.At that time, "Bang" and the lights don't flow in, so I can't express the attack.so that the whole tone of the sound is changed.It's also a synthesizer, it's an attack/release.It's about the intensity of such a bull, so when you want that tack, you'll have to get the power to get it out.I think, "Don," when the thick water pipe is in the thick of the attack.It is more durable to say a fine thing afterwards.In fact, the amp head and the cabinets are making fine vibrations when they're constantly ringing.The Hand-Wyling side is overwhelmingly strong in terms of the size of the parts of the printed circuit board because the area is wide and the part is being hand-a-dined.



It's time for Vintage Amp, or even for decades, to be still active, and sometimes a moment of inspiration.

Akima: For example, in the '60s or' 60s, it's called the 'antique' in the general public,This is the only instrument industry that says it's used in active service.You're all active in the ' 60s, and you're all going to use it.That is when the TV is still in the vacuum tube, and the color TV is beginning to start.So, if you think about it, it's common to say that you can't use such an old one because you don't have it.But if you take a look at the amplig, you can think of, for example, the amplies...that you're released last year -- Hand Wearing is another thing ... I can trust you at all.I think it's cheap if you put it in a good condition once in the 60s.If you don't have to be too afraid to be frightened, you're almost right, and if you were a tube amp, you would be able to mentor once and you wouldn't be afraid of it.The printed circuit board is now sold using a lot of dedicated parts because it reduces the cost of the printed circuit board.It's the same as in consumer electronics.There is no guarantee of parts in seven to eight years.Failure to fix the problem will fail if the part is missing.So it's a bit of a question if you're selling what's being sold in 30 years or so, and you're wont.On the other hand, in the 60s, I think it will be left.I'll be right to you forever.

" The vacuum tube.I think it's an awkly acoustic element."

-While the bass amplieses have been modernized in recent years, only guitars are the main stream of the tube amp since ancient times, though the number of them increased.So, what do you think, like a tube amp, you're attracted to people?

Akima: For example, in an acoustic guitar, not only the chords of the strings, but the body and the various kinds of resonance, and the double-sound component of the sound is filled with a full feeling of feeling.It's all about the acoustic instrument, but the electric guitar is almost no double in the plug that's out there in the first place.It's obvious, but the redoubled sounds and tastes of an electric guitar are made by ampliarounds, aren't they?By the birth of the harmonics, it starts to feel the sound of a cool sound.So, like electric guitars and tube amps, it's just one of the two.I think there's a tube amplig, and that electric guitar, electric guitar, is being pulled out.

The distortion of the sound is an image of increasing the scale of the sound.You're making sound colors, aren't you?It is also a vacuum tube that makes a quanching sound from a clean sound at the time.There are only vacuum tubes that make sure that there is a great smooth flow of clean-to-cranch-hard-dyst and the flow of it.The transistor is distorted by "bissimo" from a certain moment.The guitar's worms are strangled to the rest of the wretchness.It feels like a twisted sound and a mess.That's why I really have to be satisfied with the vacuum tubes.It's a double-scaled.It's an even-numbered double-and-odd-bizarled double-tone, and there's a breed of scales, and it's a good idea that the balance between the two is getting better, and the vacuum tube is.I think it's a great acoustic amateur.It's progress and it's in the form of transistors or ICs, but in the electronic part, it might be something that's going to be smooth, but it's not evolution at all in the musical form.It's not a mistake to make technology progress sound, but it's not something better than it is today.It's just a handy thing.

-You know, Mr. Akima has heard a lot of sounds so far, but could you tell me if there's a sound from the Osmé sound that's been so cool? For example, T-Rex, which has a profound knowledge of how to make a pilgrimage.

Akima: Yes, it is.If I tell you about T Rex, it's going to be so incredibly manic ... (Laughter)But in the sound of the center pickup in the Stratocaster, the sound of the Utsumi in Carroll's lust, which was performed in the wild, is a Feyvalit.No, it's a good cucco!! I'm good at listening to it right now.The amplig is Ampeg V4.That's a great one!! It's not so much skewed, but the sound is so great that it grows.

-So this is your last question, but what is your ampliation for Mr. Akima?

Akima: No, thank you. It's more important to me than a guitar.I have a message to make or band songs, but I'm not a place to describe it.In any case, the sound of an electric guitar is cool, and the song is written to make it sound.(Laughter) That's what it feels like.So I feel that Amp isn't just a simple tool to regenerate the sound of an electric guitar.I have a lot of weight, so I'm going to make a song because I have an amplider, and I'm going to make a song, and I'm going to play the band upside-down. (Laughter) (Laughter)

-Thank you very much for a few of the rare stories today.

Akima: Thank you very much.

Kumi Noro

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