|That's a good idea! Fender Bass's inventory this way♪|
|The Fender Bass in the 1960s, the old good,♪|
The electric bass developed by Leo Fender will be the precisom-based bass, the ancestor of the electric bass.Flatts are struck on the fingerboard, resulting in a much more accurate and more accurate (presigeon) sound than a fretless Woodbase.It was named for such a reason.This base, which has been accepted by many musicians since its launch, has been modified several times.The first model change is the 1954 Comfort Bodi migration and the introduction of the Sunburst Finish, followed by a split pickup that has been passed down in 1957 without any change.In 1959, the adoption of a rose-pointing plate, and from around 1960, a pick guard with a pattern of bees has been adopted, and the specifications are almost complete.
This year's products are manufactured by the Vintage Series in 1961, the same year as the 1961 vintage plession base and the current American Vintage Series, which was introduced in the 1961 American Vintelian Series.
In 1951, the first plesillon base was released, with the Gaybe Division using the minas-necked Cruisson Company and the reverse peg.Then, from 1957, the gillas have been changed to Plus.
The right was made in 1961, and the left was made in 1992.
I don't have a lot of difference.In the left winterline series, it is a peg for a Goto-made vinthee shoe.
As you can see, the gotow is made with a high gear ratio and a smooth peg can be rotated.
You can see four concave locations in two places at the head side and the interrogation section of the peg.
This was made by a U-shaped support tool used to secure a shaft in two places in the back of the peg behind.
From the end of 1964, there was a depression in the part of the metal fittings, so that the peg could be placed in a flat plane without a gap.
In 1962, the original reproduction of the original was made possible by a natural site.
So far, the faithful recreation of the rocks is a word of the meteorite!
The headstock was changed to its current shape in 1957, and since 1961, the logo has two patent numbers under the logo, and the end of 1962 is a four-digit number.
The Wintesy Shoe has been on the market since 1982, with some changes in the logo made by the year.This 1992 spaghetti logo is a little thicker and there is a difference in the position of the logo.The logo of the logo is on the paint, and the original is reproduced in this part of the painting.so that we can do it.
Even if you don't have the patent number, I'm sorry to say that the logo position and the shape are a little bit more like a little bit of a ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
The 1961 Press Base, on the right side, is now banned from logging in the Washington Convention, and is designated as an endangered species, and is also used by a limited number of hakalanda materials on imports and imports.The features of the hakalanda (Brasilian Rosewood) are heavy, hard, hard to process, black stripes are clear along the grain, and are vivid with the wood.
While there are some differences in the way that the plane is on a plane with a flat side, called the Slavic, there is a slight difference between the slabs and the finger-ends, and the neckend is flat on each other, but the head side is in the shape of the Rose's junction in 1961, which is the difference between the heads of the heads in the way the head is cut.I often have a glimpse of "manual labor", which is said in vintage, but I feel like I have a glimpse of the piece.
This was the characteristic of the early 1960's because the handle was attached to this part of the painting when painted.
Now the paint process is different, so it doesn't look like a rock so far, so it doesn't look like a meteorite in the past.
Until around 1968, Fender Company used the nitrocellulose lacquer in all the paint processes, including the lower ground.After that, the lacquer is used only for painting and finish, and the poli is used for the bottom of the area.In 1961, when the lacquer paint was painted, the color of the clear finch was removed under the colour, and the yellow of the three-tone sanbust is a paint that is transparent to the grain of the wood.The poli is flake like a glass-like color, and it uses a yellow color that is transparent to the wood grain as it was made in 1961.Under the pick guard, red is not painted, and it is not visible, but it is firmly inherited by the Vintelian Shoe.
According to the painting, there is a theory of pros and cons about the good and bad sounds of sound, but in countries like Japan, where the temperature and humidity are changing dramatically, it is not good for the best lacquer to be lacquered.I feel that in 1961, I have a good thing with me and my vintelly shoe.
The shape of the cavity is similar to that of the Poet, which was made in 1961 by the Stappol company 250K, the A curve of 1961, and the capacitor with the paper film.The Vinci Liner uses a 250K of CTS, a volume A curve, two B curves in 1992, and a ceramic in the capacitor.In the difference between the A curve and the B curve, the A curve is rapidly changing, and the B curve is changed to make fun of it.For players that have subtle volumes or tone settings, B-curve pots are easy to use and be exchanged.
In 1957, a split pickup has been carried over without change.
There are two small pickups of 1 "× 2", each of which is alternately installed between the one and the first and the third and four strings, and two poles are assigned to each of the strings.This ensures that the strings of the base of the amplitude of the base can be moved.
In addition, each coil has a retropolar magnet in the reverse roll, and the use of a series wiring provides a hamcansuring effect.
The 1961 pickup is commonly referred to as black bobin, and the wires used for the bobbin are also large brown, with a large number of turnaround in the volume.
The split pickup of the Vinci Liner also has the same function or shape, but it was not all the same as the wire was using the bright orange enamel wire.
The bridge has been used several times to date.In 1961, the bridge was built in 1959, with the saddle portion of the bridge deeper, and the angular edge of the bridge plate has been relaunch.
This also has a fairly accurate reproduction of the Vintelian shoe, but the spacing of potatoes that adjust the height of the saddle has been made smaller than in 1961, and the two sides of the saddle are so narrow that they are not good and bad, and they are not the perfect reproduces.
It is relatively easy to determine because a vinterian shoe is dated to the Neck.
The original vintage is chronologically determined to determine the age by comprehensively determining such as neck and pot, cereal, and fine-grained specifications, as well as different ways of determining the original vintage.
However, it is not easy to see, and to be easily solved.See below.
As you can see from the side, it is better to see it from the side, but in 1961, the conter is deeply formed by the vintage.
Although there is a natural difference between the ages of each other, this is the place where the differences are clearly divided.
From the bodyback, the ranges that are shaved are not much different.
In 1961, it was made from a flowered stone, and it is a plexige-based sound that is well formed, but it is not only fat, but also very sweet, and it has a lot of sound, and it contains a lot of double-tone.
The rigidity of the neck is excellent, and there is absolutely no frustration at all in this age.
The "vinthee" shoe is undeniably young.
I don't think there is room for it to be better yet, but in the present situation, I feel that the thickness of the situation is not too wide to be felt.
Compared to 1961, Neck is more likely to change the condition due to the tension in the string.
This is a comment relative to the 1961 original vintage, and is significantly different from the comparison of the general base.
However, there is a 10-fold difference between the current vintage series and vintage called the original vintage, which is enough to take into account that, but what about it?
So far, I've been going through a long time, and I'm going to sit down. m. m (_) m.
This is a comparison between the 1961 and 1992 vintage issues that we have in our store, and we do not have any comparative comparison between the vintage and the vintage series in the market, so please understand the fact.
However, if you have any part of your service, you will be able to sit down with your aspirate ambition.
Well, I look forward to the day when I see it, and I'm glad I can, and I'm glad to see you.
From the bearish charge Matsui