Fender's current lineup, Vintage Series, was born in 1982 to restore the prestige of the Fender brand in the original lineup of the Fender brand, and the company's management rudder was cut in the direction of the company's bright history.The quality of the ' 60s is not profitable, and the Fender original and reishoe models will be present here.
With the rank of Vintage, the steitas are established, and as much as the acoustic instruments are in the market, the higher the price of the market is, the higher the size of the wind.
However, the price of the base was $199.50 and Bassman Amp $203.50 at the beginning of the 1960s, and the price was around 70,000 yen (US$360 at the time) at the Japanese yen (at the time).In Japan, the small refrigerator (90L) for ordinary households is sold for about 80,000 yen, and the price is equivalent to 10 months' salary for salaried workers.
There was a promise that the engagement ring was three months of the monthly salary, but it can be understood that even if one of the three sacred treasures is compared to a refrigerator, it is a distant musical instrument that is far from a refrigerator.In Japan, there will be many copy models produced from such circumstances.From the original release, it takes about 20 years to be fleshed into the quality of the original, and it is intended to clarify the differentiation of many copy models and the Fender original, and it will be established by Fender Japan in 1982.
* The base of domestic production at this time is not the same as the bad store.Samurai Base"also referred to as" you ".
Now, in the 1960s, when the brilliant Fender company became a giant leap forward, it was first published in 1952 in the "Music Trade Magazine" magazine published by the Fender Company.The title is described as "Portable String Bass", which is larger than the wood base, and is portable and difficult to wearer.
An improved version of Precision Bass was newly lineup in 1960.
1960 catalogue
The introduction of the new product in the NAMM Daily on December 12, 1960 is described as follows.
" Fender announced Jazz Bass for the new development.With two pickups and new circuits, a rich low-sound area is realized.Neck is thinner than Precision Bass.
Flexible, high-range controls are now available."
In the 1900s, Blues developed from a musical conversation among musicians in the United States and created a form of Jazz.Evolution and maturing have progresently advanced, and in the 1960s, the current music of the current music is already completed.
The fusion of European music and African music and the creation of new forms, therefore, is where Jazz and Bleus develop on a global scale.
In the 1960s, the electric power of the musical instruments became more advanced and the music style was changed dramatically.
The Fender Company, established in 1945, will continue to play the Electric Guitar in 1951, and will release the Electric Base in 1951.The background of the transition to the base player on which the conveyor bus is carried out is due to the compact and loud volume.In the JAZZ scene from 1950 to 1960, it is the mainstream of the Kontrabas, but in Blues and newly born Rock, the volume of the music has become very large, and the role of Bass is changing.With the change in the form of music, the lineup of the bass instruments also spread, and the Fender Jazz Bass was born in 1960.
1961 Jazz Bass Stack Knob
| P/U Resistance: | F 6.96kΩ/R 7.55kΩ |
| Futchness: | ☆☆☆☆☆ |
| Temptation: | ☆☆☆☆☆ |
| Money: | ☆☆☆☆☆ |
1961 Jazz Bass Stack Knob
THE 1961 PRECISION BASS SLAB BOARD
| P/U Resistance: | 11.15kΩ |
| Destruction Force: | ☆☆☆☆☆ |
| Expectivity: | ☆☆☆☆☆ |
| Good Buttons: | ☆☆☆☆☆ |
The company started to distribute the color charts at the Fender sales division.
1962 Jazz Bass
| Specifications change from 2Vol/2Tone to 2Vol/1Tone | |
| After Taste: | ☆☆☆☆ |
| Kanroku: | ☆☆☆☆☆ |
| Break: | ☆☆☆☆ |
"1962" PRECISION BASS SLAB BOARD "
| In '63' the following year, the rounding board was changed to the round pasted from the Slavic (flat) pasting. | |
| P/U Resistance: | 11.09kΩ |
| Color: | ☆☆☆☆☆ |
| Koku: | ☆☆☆☆ |
| Umi: | ☆☆☆☆ |
"1962" PRECISION BASS SLAB BOARD "
1962-63 fender catalogue
1963 Precision Bass
| The serial number of the neckplate starts at L. | |
| P/U Resistance: | 11.38kΩ |
| Reliability: | ☆☆☆☆☆ |
| Eat work: | ☆☆☆☆ |
| Body tone: | ☆☆☆☆☆ |
1963 BASS VI
| The lineup was favored by a studio musician at the time, and Bass VI, in which the sound was engraved on several masters, was made in 1961. | |
| Two-face: | ☆☆☆☆☆ |
| People in the People: | ☆☆☆☆ |
| New sense: | ☆☆☆☆ |
1963-64 fender catalogue
1964 Jazz Bass
| The "OFFSET Contour Body" logo for Jazz Bass is moved to the tip of the head.From the end of the same year, position marks are changed from clay dots to clay dots, Precision Bass Logo to the Transition Logo, Pickup Bobins from Black to Gray, and Enamel Wire to Orange from dark green. | |
| Deplitude: | ☆☆☆☆ |
| Zokkon-do: | ☆☆☆☆ |
| Liabilities: | ☆☆☆☆ |
1964-65 fender catalogue
1965 Jazz Bass CAR
| Sold Fender to CBS. | |
| P/U Resistance: | F 3.52kΩ/R 3.52kΩ |
| It is a pun. | ☆☆☆☆☆ |
| Attention: | ☆☆☆☆☆ |
| Attack: | ☆☆☆☆ |
1965 Jazz Bass CAR
1966 Jazz Bass
| The left model is still a dot position, but the neck starts to contain a binding and also joins the block position.Around the middle of this year, medium jumbo frets and pegs will also start to be produced.The peg is a clover type and a paddle-type, and the inverse of it is terminated.Coronado base, Mustang base is lineup. | |
| P/U Resistance: | F 4.24kΩ/R 3.33kΩ |
| Sukiri: | ☆☆☆☆☆ |
| Heart strength: | ☆☆☆☆☆ |
| Minor Change: | ☆☆☆☆☆ |
1966 Jazz Bass
1966 MUSTANG BASS
| The first base to adopt the Oversized Logo (CBS logo) logo was released for children and beginners on a 30-inch Neck scale, and instantaneous penetration into the market. | |
| Lovely: | ☆☆☆☆☆ |
| Genki: | ☆☆☆☆☆ |
| Weight: | ☆ |
1965-66 fender catalogue
1967 Coronado Bass II
| The production period was only about two years from 1967 to 1969. | |
| Orphan: | ☆☆☆☆ |
| Cowboy: | ☆☆☆☆☆ |
| Body size: | ☆☆ |
1968 TELECASTER BASS
| The deep sound was not much appreciated by the time of the 1951 release, and it was released in 1968 with almost the same specification as the original plesijon base in 1951. | |
| Ichimoku fell in love: | ☆☆☆☆☆ |
| A masculinity: | ☆☆☆☆ |
| Shibu: | ☆☆☆☆☆ |
1968 catalog
1969 Jazz Bass
| The transition logo is changed to the CBS logo. | |
| P/U Resistance: | F 3.70kΩ/R 3.75kΩ |
| I want to protect you: | ☆☆☆☆☆ |
| Box degree: | ☆☆☆☆☆ |
| Style: | ☆☆☆☆☆ |
1969 Jazz Bass
Catalogue 1969
2006 Fender Custom Shop
| Dennis Galuszka: MBS 60 Jazz Bass NOS Mastery | |
| P/U Resistance: | :F 3.72kΩ/R3 .75kΩ |
| Colored white: | ☆☆☆☆☆ |
| Eat work: | ☆☆☆☆ |
| Fresh: | ☆☆☆☆ |
2006 Fender Custom Shop
In 1999, not only as a player, but from the passion of the production of musical instruments, Mr. Dennis Garzka, who becomes a member of the custom shop, is already a furniture craftsman, and he is now starting to look at his track record.Originally it was demonstrated as a drumming player, and in the base production it was analyzed from the side of the base play, and the evaluation can be made a leap forward to the world.The Fennder Highest Master Builder model, which is now the Fennder Highest Mine of the 1960 Jazz Bass, which was used to interpret the Jazz Bass in the 1960
* Guitar Play: Tsukasa TAKAHASHI
In the 60s and 70s, the sound is universally and does not depend on the flow of the name.Because the electric band has the origin of the electric base sound, and the general term of modern music is already established in the ' 60s, it is no exaggeration.The fact that the album is still being sold and new fans are still being sold at that time. The model of the year that the musician used, the model of the year, and the color. It doesn't make the same sound, but it's a state of atmosphere.
The plesijon bass are about 200,000 yen in Japan at the time, and the jazz base is about 230,000 yen, and it is about 30,000 yen for the first time in the era of salaried workers, 10 yen for the first time in Shinjuku-Harajuku, and 35 yen for ramen, and I hear that this dash instrument started to be used in Japan's amateur player in 1977 or later.
It increases the value of Vintage by increasing the sense of sensory weight, such as the sound of only those made at the time, and the sensation of smell other than texture.
When I hear from a boy's age, the album gives me a sense of relief at any time.If you are a Vintage owner, you may not simply own a musical instrument, but you might have space in those days.For the base player, it's a luxury of "high-height" status. Would you like to buy a whole life for your life?
